da Micaela Arce mancano 3 anni
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The setting (time & place) of a story can change throughout the plot.
Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.
The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.
To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
This is the closure section of the story.
See examples of possible outcomes below:
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
la escuela oficial es conservadora y esta al servicio de los valores dominantes en la sociedad
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
Alberti senala que conocimientos debe tener el profesor de la escuela o el profesional ajeno a ella: El conocimiento psicologico del sujeto , El conocimiento del ambiente socio-economico-cultural, El conocimiento de la institucion escolar , El conocimiento experimental de la formacion en expresion dramatica
Gisela Barrer senala 3 aspectos importantes: 1)El conocimiento de la disciplina 2)La metodologia 3)El dominio de la situacion .
Your character(s) need(s) motivation in order to solve the challenge(s).
Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.
El buen animador de la expresion dramatica es el que utiliza la CREATIVIDAD
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
Intervenciones didacticas: Tecnica de aproximacion- tecnica de socializacion- tecnicas de participacion- tecnicas liberadoras- tecnicas descondicionantes- tecnicas de conocimiento- tecnicas de la creatividad y tecnicas de concentracion
las funciones y tecnicas didacticas que el profesor-animador debe afrontar son: Organizar y orientar la actividad, observar a cada nino para conocer sus necesidades y satisfacerlas, formular los temas del juego y ofrecer consignas claras, procurar que se fije y diversifiquen los objetivos, preparar los materiales, graduar las actividades para que resulten estimulantes, repartir responsabilidades y aceptar sugerencias, y alentar un ambiente alegre y un buen clima.
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
Type in any other challenges which other characters in the story need to face.
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
Artistas?
Pedagogos?
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
Test de consciente intelectusl
pensamiento convergente
pensamiento divergente
