Ѿ Δωδέκατέραρίθμερον
{Ѡ}
Ѡ Θαυμαὅρμη
ὅνα
۞ Θαυμαβίβλιὀν ("The Little Book of Wonders")
۞ Ῥίζαἄρχηγλώσσα ("The Roots of Ruling Languages")
۞ Άρχαιμέγακύκλον ("The Ancient Great Cycle")
۞ Αρχαιμυστηποίἠμα ("The Works of Ancient Mystics")
۞ Βιβλιὀθήκικον ("Library Science")
۞ Βιβλιὀνοἤμικον ("Book Design")
۞ Γλωσσάἰκον ("Linguistics")
۞ Σημόνικον ("Semiotics")
۞ Ἀριθμοθεὤρικα ("Set Theory")
۞ Οντόλογικον ("The Study of Being")
۞ Συμφώνολόγικα ("Music Studies")
۞ Μούσικα ("Musics")
ίκα
ὅνα
{۞}
۞ Ἑλικώνος Σοννέταὀν
☼ To Orpheus [Μελέτη]
☼ To the Mysteries [Μνήμη]
☼ To Genesis 1 [Ἀοιδή]
☼ Sonnet No. 5 [Καλλιόπη]
☼ To Being [Θάλεια]
☼ To the Muses [Κλειώ]
☼ To Neuromyth No. 6 [Μελπομένη]
☼ To Relation [Ἐρατώ]
☼ To Concord [Πολυύμνια]
☼ To Decline [Eὐτέρπη]
☼ [Οὐρανία]
☼ [Τερψιχόρη]
۞ μέταπρολεγομένα
☼ ι Metaprolegomenon
♈ A Welcoming
♉ Grand Design
♊ Of My Meaning
♋ A Progression
♌ Of Relating
♍ In So Many Ways
♎ To History
♏ That Mystery
♐ Thought Born
♑ About Itself
♒ Through Comprehending
♓ Of Great Purpose
☼ γ A Poetic Note
♈
♉
♊
♋
♌
♍
♎
♏
♐
♑
♒
♓
☼ π Πρώτευρύθμως
♈
♉
♊
♋
♌
♍
♎
♏
♐
♑
♒
♓
۞ προλεγομένα
☼ Ι Prolegomenon to Any Future
♄ י The Book of Naming
♃ א Why I'm Here
♃ ב ὁλονόμικα
♃ ג The Muses of Helicon
♄ מ The Book of Relating
♃ ד What They Did
♃ ה ενδοὁλόνικα
♃ ו The Music of the Spheres
♄ ע The Book of Generating
♃ ז How We'll Do
♃ ח κοσμογένικα
♃ ט The Harmony of a Universe
☼ Γ Καντάτα Πρωφάνα
♄ Prologue
♄ Part I - The Hunt
♄ Part II - The Search
♄ Part III - The Son to Father
♄ Part IV - The Father to Son
♄ Part V - The Hunters' Fate
♄ Epilogue
☼ Π The Book of Prelude
♄ The Little Book of Origins
♄ The Little Book of Elements
♄ The Little Book of Seasons
♄ The Little Book of Zodiac
۞ δωδέκαρίθμα
☼ I
☼ II
☼ III
☼ IV
☼ V
☼ VI
☼ VII
☼ VIII
☼ IX
☼ X
☼ XI
☼ XII
{۞}
۞ προλεγομέναὀς ιδιὄθηκα
☼ νοἠμόθηκον
☼ πηγόθηκα
♄ βιβλιὄθηκον
B - Philosophy. Psychology. Religion
BF - Psychology
BF1999 .C744 (1973) Crowley, Aleister. "Qabalah of Aleister Crowley: Three Texts"
BL - Religions. Mythology. Rationalism
BL1220 .K8S4 (1908) Schure, Edouard. "Krishna and Orpheus"
BS - The Bible
BS1236 .S64 (1876) Smith, George. "The Chaldean Account of Genesis"
P - Language and Literature
P - Philology. Linguistics
P201 .B64 (1968) Bolinger, Dwight. "Aspects of Language"
♄ ποἠμόθηκον
♄ ποἰμόθηκον
♄ ποὀμόθηκον
☼ γλωσσόθηκα
♄ My Language
♄ Ancient Greek
♄ Hebrew
♄ Sanskrit
♄ Latin
☼ ταξόθηκα
♄ θεμόθηκον
♄ ρημόθηκον
♄ βουλόθηκον
♄ γνωμόθηκον
{Ѡ}
ίκα
θέμα
Being
Creation
Chaos
Order
Nature
Purpose
Entropy
Structure
Harmony
Mystery
Language
Culture
Belief
Cycles
ρήμα
3
Orpheus
Moses
Muses
Hermes
Plato
Aristotle
Ockham
Kant
Iamblichus
Proclus
Origen
Bruno
βούλα
άρχοβούλα
Ѡ Πανθεὀλόγον
{۞}
ὅνα
ίκα
{۞}
Ѡ Ὁλόνικα
{۞}
۞ ὁλονόμικα
☼ Axioms of Thought
☼ Components of Thought
☼ Whole Language
☼ Techniques
۞ ενδοὁλόνικα
☼ Generating Boundaries
☼ Types of Being
☼ Arithmorphs
☼ Binding Connections
۞ κοσμογένικα
☼ Cosmic Axis
☼ Analysis
☼
☼ Synthesis
{۞}
Ѡ A Study of Language
{۞}
ὅνα
۞ Linguistics
ὅνα
☼ "Aspects of Language"
ὅνα
§01 - Born to Speak
ὅνα
§§1 - First Steps
ὅνα
¶7 - The Ingredients of Language Consumation
"So there are three ingredients in the consummation of language: 1. an instinct in the shape of mental and physical capacities developed through countless centuries of natural selection; 2. a preexisting language system, any one of the many produced by the cultures of the world; 3. a competence that comes from applying the instinct to the system through the relatively long period during which the child learns both to manipulate the physical elements of the system, such as sounds and words and syntactic rules, and to permeate them with meaning. . . ."
ίκα
νοἤμα
Three Ingredients in the Consummation of Language
ὅνα
1. Instinct to Shape
2. Preexisting Language System
3. Competence for Meaningful Application
ίκα
πηγα
§1 - Born to Speak
§§1 - First Steps
¶7 - The Ingredients of Language Consumation
§§2 - Progress
ὅνα
¶3 - The Holophrastic Stage
". . . This is the holophrastic stage, when utterance and thing are related one to one. . . ."
¶4 - The Analytic Stage
"The second stage is analytic: the child begins to divide his proper names into true sentences. . . ."
¶5 - The Syntactic Stage
". . . The third stage calls for noticing more subtle kinds of samenesses in the connections. It can be called the syntactic stage. . . ."
¶9 - The Stylistic Stage
"The final stage is stylistic. The child now has a repertory of constructions among which he can choose. Choice makes for flexibility. He is no longer restricted to conveying just the primary information but is able to show a certain way in which the message is to be taken. . . ."
ίκα
νοἤμα
Four Stages of Communication
ὅνα
1. Holophrastic
2. Analytic
3. Syntactic
4. Stylistic
ίκα
πηγα
§1 - Born to Speak
§§2 - Progress
¶3 - The Holophrastic Stage
¶4 - The Analytic Stage
¶5 - The Syntactic Stage
¶9 - The Stylistic Stage
§§3 - Attainment
ίκα
νοἤμα
Three Ingredients in the Consummation of Language
ὅνα
1. Instinct to Shape
2. Preexisting Language System
3. Competence for Meaningful Application
ίκα
πηγα
§1 - Born to Speak
§§1 - First Steps
¶7 - The Ingredients of Language Consumation
Four Stages of Communication
ὅνα
1. Holophrastic
2. Analytic
3. Syntactic
4. Stylistic
ίκα
πηγα
§1 - Born to Speak
§§2 - Progress
¶3 - The Holophrastic Stage
¶4 - The Analytic Stage
¶5 - The Syntactic Stage
¶9 - The Stylistic Stage
§02 - Some Traits of Language
ὅνα
§§0 - Introduction
§§1 - Language is Patterned Behavior
§§2 - The Medium of Language is Sound
§§3 - Sound is Embedded in Gesture
§§4 - Language is Largely Arbitrary
§§5 - Languages are Similarly Structured
ὅνα
¶1 - On Universal Syntax
". . . A study on universals in language reached these conclusions about syntax: 1. All languages use nominal phrases and verbal phrases, corresponding to the two major classes of noun and verb, and in all of them the number of nouns far exceeds the number of verbs. One can be fairly sure that a noun in one language translates a noun in another. 2. All languages have modifiers of these two classes, corresponding to adjectives and adverbs. 3. All languages have ways of turning verbal phrases into nounal phrases (He went - I know that he went.) 4. All languages have ways of making adjective-like phrases out of other kinds of phrases (The man went - The man who went). 5. All languages hav ways of turning sentences into interrogatives, negatives, and commands. 6. All languages show at least two forms of interaction between verbal and nominal, typically "intransitive" (the verbal is involved with only one nominal, as in Boys play) and "transitive" (the verbal is involved in two nominals, as in Boys like girls)."
ίκα
νοἤμα
Universals of Language Syntax
ὅνα
1. Verbal and Nominal
1. All languages use nominal phrases and verbal phrases, corresponding to the two major classes of noun and verb, and in all of them the number of nouns far exceeds the number of verbs. One can be fairly sure that a noun in one language translates a noun in another.
2. Modifiers
2. All languages have modifiers of these two classes, corresponding to adjectives and adverbs.
3. Verbal into Nominal
3. All languages have ways of turning verbal phrases into nounal phrases.
4. All into Adjectives
4. All languages have ways of making adjective-like phrases out of other kinds of phrases.
5. All into Interrogatives, Negatives, and Commands
5. All languages have ways of turning sentences into interrogatives, negatives, and commands.
6. Interaction Between Verbal and Nominal
6. All languages show at least two forms of interaction between verbal and nominal, typically "intransitive" and "transitive".
ίκα
πηγα
§02 - Some Traits of Language
§§5 - Languages are Similarly Structured
¶1 - On Universal Syntax
ίκα
νοἤμα
Universals of Language Syntax
ὅνα
1. Verbal and Nominal
1. All languages use nominal phrases and verbal phrases, corresponding to the two major classes of noun and verb, and in all of them the number of nouns far exceeds the number of verbs. One can be fairly sure that a noun in one language translates a noun in another.
2. Modifiers
2. All languages have modifiers of these two classes, corresponding to adjectives and adverbs.
3. Verbal into Nominal
3. All languages have ways of turning verbal phrases into nounal phrases.
4. All into Adjectives
4. All languages have ways of making adjective-like phrases out of other kinds of phrases.
5. All into Interrogatives, Negatives, and Commands
5. All languages have ways of turning sentences into interrogatives, negatives, and commands.
6. Interaction Between Verbal and Nominal
6. All languages show at least two forms of interaction between verbal and nominal, typically "intransitive" and "transitive".
ίκα
πηγα
§02 - Some Traits of Language
§§5 - Languages are Similarly Structured
¶1 - On Universal Syntax
ίκα
ρημα
Language
νοἤμα
Three Ingredients in the Consummation of Language
ὅνα
1. Instinct to Shape
2. Preexisting Language System
3. Competence for Meaningful Application
ίκα
πηγα
§1 - Born to Speak
§§1 - First Steps
¶7 - The Ingredients of Language Consumation
Four Stages of Communication
ὅνα
1. Holophrastic
2. Analytic
3. Syntactic
4. Stylistic
ίκα
πηγα
§1 - Born to Speak
§§2 - Progress
¶3 - The Holophrastic Stage
¶4 - The Analytic Stage
¶5 - The Syntactic Stage
¶9 - The Stylistic Stage
Universals of Language Syntax
ὅνα
1. Verbal and Nominal
1. All languages use nominal phrases and verbal phrases, corresponding to the two major classes of noun and verb, and in all of them the number of nouns far exceeds the number of verbs. One can be fairly sure that a noun in one language translates a noun in another.
2. Modifiers
2. All languages have modifiers of these two classes, corresponding to adjectives and adverbs.
3. Verbal into Nominal
3. All languages have ways of turning verbal phrases into nounal phrases.
4. All into Adjectives
4. All languages have ways of making adjective-like phrases out of other kinds of phrases.
5. All into Interrogatives, Negatives, and Commands
5. All languages have ways of turning sentences into interrogatives, negatives, and commands.
6. Interaction Between Verbal and Nominal
6. All languages show at least two forms of interaction between verbal and nominal, typically "intransitive" and "transitive".
ίκα
πηγα
§02 - Some Traits of Language
§§5 - Languages are Similarly Structured
¶1 - On Universal Syntax
πηγα
P201 .B64 (1968) Bolinger, Dwight. "Aspects of Language"
ιδεα
ίκα
ρημα
Language
νοἤμα
Three Ingredients in the Consummation of Language
ὅνα
1. Instinct to Shape
2. Preexisting Language System
3. Competence for Meaningful Application
ίκα
πηγα
§1 - Born to Speak
§§1 - First Steps
¶7 - The Ingredients of Language Consumation
Four Stages of Communication
ὅνα
1. Holophrastic
2. Analytic
3. Syntactic
4. Stylistic
ίκα
πηγα
§1 - Born to Speak
§§2 - Progress
¶3 - The Holophrastic Stage
¶4 - The Analytic Stage
¶5 - The Syntactic Stage
¶9 - The Stylistic Stage
Universals of Language Syntax
ὅνα
1. Verbal and Nominal
1. All languages use nominal phrases and verbal phrases, corresponding to the two major classes of noun and verb, and in all of them the number of nouns far exceeds the number of verbs. One can be fairly sure that a noun in one language translates a noun in another.
2. Modifiers
2. All languages have modifiers of these two classes, corresponding to adjectives and adverbs.
3. Verbal into Nominal
3. All languages have ways of turning verbal phrases into nounal phrases.
4. All into Adjectives
4. All languages have ways of making adjective-like phrases out of other kinds of phrases.
5. All into Interrogatives, Negatives, and Commands
5. All languages have ways of turning sentences into interrogatives, negatives, and commands.
6. Interaction Between Verbal and Nominal
6. All languages show at least two forms of interaction between verbal and nominal, typically "intransitive" and "transitive".
ίκα
πηγα
§02 - Some Traits of Language
§§5 - Languages are Similarly Structured
¶1 - On Universal Syntax
πηγα
P201 .B64 (1968) Bolinger, Dwight. "Aspects of Language"
ιδεα
ίκα
ρημα
Language
νοἤμα
Three Ingredients in the Consummation of Language
ὅνα
1. Instinct to Shape
2. Preexisting Language System
3. Competence for Meaningful Application
ίκα
πηγα
§1 - Born to Speak
§§1 - First Steps
¶7 - The Ingredients of Language Consumation
Four Stages of Communication
ὅνα
1. Holophrastic
2. Analytic
3. Syntactic
4. Stylistic
ίκα
πηγα
§1 - Born to Speak
§§2 - Progress
¶3 - The Holophrastic Stage
¶4 - The Analytic Stage
¶5 - The Syntactic Stage
¶9 - The Stylistic Stage
Universals of Language Syntax
ὅνα
1. Verbal and Nominal
1. All languages use nominal phrases and verbal phrases, corresponding to the two major classes of noun and verb, and in all of them the number of nouns far exceeds the number of verbs. One can be fairly sure that a noun in one language translates a noun in another.
2. Modifiers
2. All languages have modifiers of these two classes, corresponding to adjectives and adverbs.
3. Verbal into Nominal
3. All languages have ways of turning verbal phrases into nounal phrases.
4. All into Adjectives
4. All languages have ways of making adjective-like phrases out of other kinds of phrases.
5. All into Interrogatives, Negatives, and Commands
5. All languages have ways of turning sentences into interrogatives, negatives, and commands.
6. Interaction Between Verbal and Nominal
6. All languages show at least two forms of interaction between verbal and nominal, typically "intransitive" and "transitive".
ίκα
πηγα
§02 - Some Traits of Language
§§5 - Languages are Similarly Structured
¶1 - On Universal Syntax
πηγα
P201 .B64 (1968) Bolinger, Dwight. "Aspects of Language"
ιδεα
{۞}
γέγνωσις
۞ Linguistics
ὅνα
☼ "Aspects of Language"
ὅνα
ίκα
ρημα
Language
πηγα
P201 .B64 (1968) Bolinger, Dwight. "Aspects of Language"
ιδεα
ίκα
ρημα
Language
πηγα
P201 .B64 (1968) Bolinger, Dwight. "Aspects of Language"
ιδεα
☼ Many Quotes
ὅνα
By Essay
י The Book of Naming
ὅνα
א Why I'm Here
αύτον
ὅνα
♈לא ר Through Chaos
αύτον
ὅνα
°001 Drowning
αύτον
"Melancholy and the awakening of one's genius are inseparable, say the texts. Yet for most of us there is much sadness and little genius, little consolation of philosophy, only the melancholic stare—what to do, what to do. . . ."
James Hillman, "A Blue Fire"
ίκα
BF175.5.A72 H54 (1989) Hillman, James. "A Blue Fire"
°002 Hobbits
αύτον
ίκα
°003 Black Masses
αύτον
ίκα
°004 Making Way
αύτον
ίκα
°005 Reigning Beast
αύτον
ίκα
°006 Biogenesis
αύτον
ίκα
°007 The Meaning of Value
αύτον
ίκα
°008 Things Change
αύτον
ίκα
°009 Derivative Yield
αύτον
ίκα
°010 His Holy Empire
αύτον
ίκα
ίκα
♈סא ך Echoing Orpheus
αύτον
ὅνα
°011
αύτον
ίκα
°012
αύτον
ίκα
°013
αύτον
ίκα
°014
αύτον
ίκα
°015
αύτον
ίκα
°016
αύτον
ίκα
°017
αύτον
ίκα
°018
αύτον
ίκα
°019
αύτον
ίκα
°020
αύτον
ίκα
ίκα
♈צא ף The Language of the Gods
αύτον
ὅνα
°021
αύτον
ίκα
°022
αύτον
ίκα
°023
αύτον
ίκα
°024
αύτον
ίκα
°025
αύτον
ίκα
°026
αύτον
ίκα
°027
αύτον
ίκα
°028
αύτον
ίκα
°029
αύτον
ίκα
°030
αύτον
ίκα
ίκα
♉שא ר The Beginning Again
αύτον
ὅνα
°031
αύτον
ίκα
°032
αύτον
ίκα
°033
αύτον
ίκα
°034
αύτον
ίκα
°035
αύτον
ίκα
°036
αύτον
ίκα
°037
αύτον
ίκα
°038
αύτον
ίκα
°039
αύτον
ίκα
°040
αύτον
ίκα
ίκα
ίκα
ב ὁλονόμικα
αύτον
ὅνα
♉לב ך The Conceiving of Being
αύτον
ὅνα
°041
αύτον
ίκα
°042
αύτον
ίκα
°043
αύτον
ίκα
°044
αύτον
ίκα
°045
αύτον
ίκα
°046
αύτον
ίκα
°047
αύτον
ίκα
°048
αύτον
ίκα
°049
αύτον
ίκα
°050
αύτον
ίκα
ίκα
♉סב ף The Signifying of Thought
αύτον
ὅνα
°051
αύτον
ίκα
°052
αύτον
ίκα
°053
αύτον
ίκα
°054
αύτον
ίκα
°055
αύτον
ίκα
°056
αύτον
ίκα
°057
αύτον
ίκα
°058
αύτον
ίκα
°059
αύτον
ίκα
°060
αύτον
ίκα
ίκα
♊צב ר The Symbolizing of Language
αύτον
ὅνα
°061
αύτον
ίκα
°062
αύτον
ίκα
°063
αύτον
ίκα
°064
αύτον
ίκα
°065
αύτον
ίκα
°066
αύτον
ίκα
°067
αύτον
ίκα
°068
αύτον
ίκα
°069
αύτον
ίκα
°070
αύτον
ίκα
ίκα
♊שב ך The Learning of Ὁλόνικα
αύτον
ὅνα
°071
αύτον
ίκα
°072
αύτον
ίκα
°073
αύτον
ίκα
°074
αύτον
ίκα
°075
αύτον
ίκα
°076
αύτον
ίκα
°077
αύτον
ίκα
°078
αύτον
ίκα
°079
αύτον
ίκα
°080
αύτον
ίκα
ίκα
ίκα
ג The Muses of Mount Helicon
αύτον
ὅνα
♊לג ף From Splendid Fount
αύτον
ὅνα
ίκα
♋סג ר
αύτον
ὅνα
ίκα
♋צג ך
αύτον
ὅνα
ίκα
♋שג ף Remembering Song
αύτον
ὅνα
ίκα
ίκα
ίκα
מ The Book of Relating
ὅνα
ד What They Did
αύτον
ὅνα
♌לד ר Us and them
♌סד ך Science
♌צד ף Religion
♍שד ר Philosophy
ίκα
ה ενδοὁλόνικα
αύτον
ὅνα
♍לה ך Scoping Sets
αύτον
ὅνα
ίκα
♍סה ף
αύτον
ὅνα
ίκα
♎צה ר
αύτον
ὅνα
ίκα
♎שה ך
αύτον
ὅνα
ίκα
ίκα
ו The Music of the Spheres
αύτον
ὅνα
♎לו ף Hermeticism
αύτον
ὅνα
ίκα
♏סו ר Gnosticism
αύτον
ὅνα
ίκα
♏צו ך Neoplatonism
αύτον
ὅνα
ίκα
♏שו ף Kabbalah
αύτον
ὅνα
ίκα
ίκα
ίκα
ע The Book of Generating
ὅνα
ז How We'll Do
αύτον
ὅνα
♐לז ר Great Cycles
αύτον
ὅνα
ίκα
♐סז ך Declining Value
αύτον
ὅνα
ίκα
♐צז ף Sowing Culture
αύτον
ὅνα
ίκα
♑שז ר Global Purpose
αύτον
ὅνα
ίκα
ίκα
ח κοσμογένικα
αύτον
ὅνα
♑לח ך
αύτον
ὅνα
ίκα
♑סח ף
αύτον
ὅνα
ίκα
♒צח ר
αύτον
ὅνα
ίκα
♒שח ך
αύτον
ὅνα
ίκα
ίκα
ט The Harmony of a Universe
αύτον
ὅνα
♒לט ף Cosmography of the Book of Genesis
αύτον
ὅνα
ίκα
♓סט ר Analysis of Genesis 1
αύτον
ὅνα
ίκα
♓צט ך Communicating Sounds
αύτον
ὅνα
ίκα
♓שט ף Composing Πρώτευρύθμος
αύτον
ὅνα
ίκα
ίκα
ίκα
Indexes
ὅνα
πήγα
αύτον
ὅνα
Books
αύτον
ίκα
Literature
αύτον
ίκα
Image
αύτον
ίκα
Music
αύτον
ίκα
ίκα
γλώσσα
αύτον
ὅνα
Mine
αύτον
ίκα
Hebrew
αύτον
ίκα
Greek
αύτον
ίκα
Sanskrit
αύτον
ίκα
ίκα
θήκα
αύτον
ὅνα
νοἤμα
αύτον
ίκα
θέμα
αύτον
ίκα
ρήμα
αύτον
ίκα
γνώμα
αύτον
ίκα
ίκα
ίκα
By Class
360 Sections
36 Chapters
9 Parts
3 Indexes
9 Subindexes
Orphans
"No matter how far or how fast he may run, the chain runs with him." - Friedrich Nietzsche, "On the Use and Abuse of History for Life"
"Incidentally, I despise everything which merely instructs me without increasing or immediately enlivening my activity." - Goethe
ίκα
αναλυσις
πήγα
νοἤμα
ποἤμα
συνθεσις
۞ ὁλονόμικον
☼ Axioms of Thought
☼ Components of Thought
☼ Whole Language
☼ Techniques
۞ ενδοὁλόνικον
☼ Generating Boundaries
☼ Types of Being
☼ Arithmorphs
☼ Binding Connections
۞ κοσμογένικον
☼ Cosmic Axis
☼ Analysis
☼
☼ Synthesis
۞ μέταπρολεγομένα
☼ ι Metaprolegomenon
♈ A Welcoming
♉ Grand Design
♊ Of My Meaning
♋ A Progression
♌ Of Relating
♍ In So Many Ways
♎ To History
♏ That Mystery
♐ Thought Born
♑ About Itself
♒ Through Comprehending
♓ Of Great Purpose
☼ γ A Poetic Note
♈
♉
♊
♋
♌
♍
♎
♏
♐
♑
♒
♓
☼ π Πρώτευρύθμως
♈
♉
♊
♋
♌
♍
♎
♏
♐
♑
♒
♓
۞ προλεγομένα
☼ Ι Prolegomenon to Any Future
♄ י The Book of Naming
♃ א Why I'm Here
♃ ב ὁλονόμικα
♃ ג The Muses of Helicon
♄ מ The Book of Relating
♃ ד What They Did
♃ ה ενδοὁλόνικα
♃ ו The Music of the Spheres
♄ ע The Book of Generating
♃ ז How We'll Do
♃ ח κοσμογένικα
♃ ט The Harmony of a Universe
☼ Γ Καντάτα Πρωφάνα
♄ Prologue
♄ Part I - The Hunt
♄ Part II - The Search
♄ Part III - The Son to Father
♄ Part IV - The Father to Son
♄ Part V - The Hunters' Fate
♄ Epilogue
☼ Π The Book of Prelude
♄ The Little Book of Origins
♄ The Little Book of Elements
♄ The Little Book of Seasons
♄ The Little Book of Zodiac
۞ δωδέκαρίθμα
☼ I
☼ II
☼ III
☼ IV
☼ V
☼ VI
☼ VII
☼ VIII
☼ IX
☼ X
☼ XI
☼ XII
νοἤμα
Three Ingredients in the Consummation of Language
ὅνα
1. Instinct to Shape
2. Preexisting Language System
3. Competence for Meaningful Application
ίκα
πηγα
§1 - Born to Speak
§§1 - First Steps
¶7 - The Ingredients of Language Consumation
Four Stages of Communication
ὅνα
1. Holophrastic
2. Analytic
3. Syntactic
4. Stylistic
ίκα
πηγα
§1 - Born to Speak
§§2 - Progress
¶3 - The Holophrastic Stage
¶4 - The Analytic Stage
¶5 - The Syntactic Stage
¶9 - The Stylistic Stage
Universals of Language Syntax
ὅνα
1. Verbal and Nominal
1. All languages use nominal phrases and verbal phrases, corresponding to the two major classes of noun and verb, and in all of them the number of nouns far exceeds the number of verbs. One can be fairly sure that a noun in one language translates a noun in another.
2. Modifiers
2. All languages have modifiers of these two classes, corresponding to adjectives and adverbs.
3. Verbal into Nominal
3. All languages have ways of turning verbal phrases into nounal phrases.
4. All into Adjectives
4. All languages have ways of making adjective-like phrases out of other kinds of phrases.
5. All into Interrogatives, Negatives, and Commands
5. All languages have ways of turning sentences into interrogatives, negatives, and commands.
6. Interaction Between Verbal and Nominal
6. All languages show at least two forms of interaction between verbal and nominal, typically "intransitive" and "transitive".
ίκα
πηγα
§02 - Some Traits of Language
§§5 - Languages are Similarly Structured
¶1 - On Universal Syntax
θήκα
Δωδέκατέραρίθμικόθηκον
Πανθεὀγένεθήκον
πήγα
Books
B - Philosophy. Psychology. Religion
BF - Psychology
BF173-175.5 - Psychoanalysis
BF175.5.A72 H54 (1989) Hillman, James. "A Blue Fire"
BF1404-2055 - Occult Sciences
BF1892-2049 - ???
BF1999 .C744 (1973) Crowley, Aleister. "Qabalah of Aleister Crowley: Three Texts"
BL - Religions. Mythology. Rationalism
BL1000-2370 - Asian. Oriental
BL1216-1225 - Hindu pantheon. Deities
BL1220 .K8S4 (1908) Schure, Edouard. "Krishna and Orpheus"
BS - The Bible
BS701-1830 - Old Testament
BS1200-1830 - Special parts of the Old Testament
BS1236 .S64 (1876) Smith, George. "The Chaldean Account of Genesis"
P - Language and Literature
P - Philology. Linguistics
P201-299 - Comparative Grammar
P201 .B64 (1968) Bolinger, Dwight. "Aspects of Language"
§01 - Born to Speak
§§1 - First Steps
¶7 - The Ingredients of Language Consumation
§§2 - Progress
¶3 The Holophrastic Stage
¶4 The Analytic Stage
¶5 The Syntactic Stage
¶9 The Stylistic Stage
§02 - Some Traits of Language
§§0 - Introduction
§§1 - Language is Patterned Behavior
§§2 - The Medium of Language is Sound
§§3 - Sound is Embedded in Gesture
§§4 - Language is Largely Arbitrary
§§5 - Languages are Similarly Structured
¶1 - On Universal Syntax
§03 - The Phonetic Elements
§04 - Structure in Language: The Units of Sound
§05 - Structure in Language: The Higher Levels
§06 - The Evolution of Language: Courses, Forces, Sounds, and Spellings
§07 - The Evolution of Language: Meanings, Interpretations, and Adjustments
§08 - The Evolution of Language: Views and Measurements
§09 - Dialect
§10 - Writing
§11 - The Evolving Approaches to Language
§12 - Meaning
§13 - Mind in the Grip of Language
§14 - Some Practical Matters
Index
Literature
The Book of Genesis
Orphic Hymns
Hesiod's Theogony
The Book of Revelation
Image
Musica Universalises
Music
Tool
10,000 Days
Right in Two
τέλα
Write Δωδέκατέραρίθμικον
Write Preface
Write Metaprolegomena
Write Metaprolegomenon
Write A Poetic Note
Write Proteurithmos
Write Prolegomena
Write Prolegomenon to Any Future
Write Hymns
Write The Book of Preludes
Write Dodecarithma
Write Op. I - Poetry for Voice and Piano
Write Op. II - Leaves for Wind Ensemble
Write Op. III - Bel and the Dragon for Narrator, Hand Drum, Piano, and Flute
Write Op. IV - Things Change for Choir, Bass, and Piano
Write Op. V - Beauty Concerto for Soprano and Violin
Write Op. VI - String Quartet No. 1
Write Op. VII - Tennyson for Orchestra
Write Op. VIII - Choir and Dance
Write Op. IX - Cosmographia Universalis
Write Op. X - His Holy Empire
Write Op. XI - A Musical Grimoire
Write Op. XII - Symphony No. 1
μνήμα