door Javier Cusco 3 jaren geleden
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To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
calcos semánticos
etimologías populares
metonimia (y sinécdoque)
metáfora
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
disfemismo
consiste en utilizar, normalmente con un tono humorístico o con intención degradante
coco/cabeza
eufemismos
se pretende evitar el uso del término considerado tabú: invidente/ciego, anciano/viejo
This is the closure section of the story.
See examples of possible outcomes below:
por asociaciones mentales damos nombres de animales a actitudes o comportamientos humanos
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
aparecen nuevas realidades que han de ser designadas
Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?
Your character(s) need(s) motivation in order to solve the challenge(s).
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
diferencia/deferencia,
Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.
igual significante pero cuyos significados son independientes
PISC(EM) > pez (el animal) PIC(EM) > pez (la sustancia viscosa)
un significante posea varios significados.
Pluma: de ave; instrumento para escribir
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
Recíprocos
comprar/vender
Complementarios
Hembra/macho, par/impar
Antónimos
Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:
un término puede pertenecer a un registro formal y el otro al coloquial
Orina/pipi
The weather is an important element in your story because it can highly influence the ambiance and the mood of the characters.
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.
a la carga de valores afectivos, evocadores, sugeridos que un término puede poseer.
Individuales
las de los escritores
De grupo
para determinados grupos de hablantes ciertas palabras adquieren distintas connotaciones
rojo
Socializadas
connotaciones compartidas por toda la sociedad
Burro/torpe
El contenido nocional de un término, el significado compartido por todos los hablantes, su significado objetivo
The setting (time & place) of a story can change throughout the plot.
Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.
poseen más de un significado
puede tener un vocablo
en el contexto se suele actualizar sólo uno de ellos
sentido (significado de efecto)
Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.
Type in the name of your character.
Morfemas
Which traits best describe the character's personality? Choose more if necessary:
los derivativos (o facultativos)
Add other qualities/attributes of the character.
tienen cierta significación y modifican el significado de la base léxica a la que se unan (en el proceso de creación de nuevas palabras)
Ejm: In-, a-, des-: ‘negación, privación’: inmoral, apolítico, deshacer. -ble: ‘posibilidad’: legible. -or, -dor: ‘agente’: cazador, actor, ascensor
los flexivos (o constitutivos)
What is your character's main goal?
(propios de sustantivos, verbos, adjetivos, así como determinantes y pronombres) indican distintas categorías gramaticales como la persona, el número, el tiempo, el modo, etc
lexemas
Add other properties of the character.
significado léxico, es decir, nos evoca un ‘concepto’, una ‘realidad’
Choose the type of your chacter:
estructura y formación de palabras
