BLOCK 3 - Children's Cultural Worlds

BLOCK 3 - Children's Cultural Worlds

Multimedia Childhoods

Childhood & the media

POSTMAN - Disappearance of Childhood (1983)

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ARGUES that television:- has caused the 'death of childhood'- is a 'total disclosure medium' - children learn 'secrets' of adult life- blurs boundaries between childhood & adulthood - children increasingly behave like adults- encourages precocious sexuality(Link Sue Palmer - Toxic Childhood)CRITICISED for - generalizing- not providing evidence of fundamental changes in family structures / early sexuality- makes assumptions about childhood - draws on Aries belief that childhood was 'invented' in the Middle Ages, did not exist before then.- assumption that making sense of tv is a natural rather than learned processPuritan view - wants to return to traditional moral values - where adults had control

DON TAPSCOTT (1998)

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Tapscott (1998)Childhood constructed concept. (In past children in poor families did not have a childhood).Agrees that TV/technology has blurred boundaries between childhood & adulthoodDigital technologies are empowering – a new form of liberation e.g. children produce blog sites, publish their own websites.Given children new skills to think about, use in their speech & play.TV New technologiesPassive InteractivePresents view Raises intelligenceIsolates Builds & communicatesTV generation Children hungry for conservative expression Hierarchical, Encourages self-inflexible, centralised development, savy, self-reliant & analytical, Globally orientated

VIDEO: Children's TV

Reflects adults changing perceptions of children

JOSHUA MEYROWITZ - No sense of place (1985)

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Meyrowitz (1985) TV makes backstage behaviour visible to allTV reveals facts that contradict social myths (e.g. see Royal family/politicians as real people Blurs boundaries between1. Men & women2. Individual citizens & political representations3. Children & adults

Production: Targeting children

Proliferation of technology + commercially driven tv channels

Consequence

Children access previously forbidden material

Digital divide between rich & poor

Children seen as 'consumers'

Exploitation or empowerment?

Texts: Constructing children

Convergence

Multi-media marketing, merchandising e.g. Pokemon

Intertextuality

Texts draw on other media e.g. Simpsons, SMTV Live

Interactivity

CD Roms, internet - not just passive

Stephen Wagg - One I made earlier

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STEPHEN WAGG argues:Blurring of boundaries between children & 'youth' - increasing issues previously considered taboo such as sex, drugs, family break up are incorporated into children's drama (e.g. Grange Hill)Media increasingly 'media centric' steering children to glamorous world of media rather than purposeful activityArguments against: Modern versions of old format appeal to children e.g. Andy Pandy, Muffin the MuleTV has evolvedTeletubbies is a continuation of the tradition of Watch with Mother.

Audiences: Children as readers

Children seen as 'media literate' consumers

Easy to track visits to websites - target for advertising

Children seen as 'active agents' of media

children actively construct what it means to be a child

Integrating the analysis

'Power' of media lies in interaction of Production, Texts & Audiences e.g. Pokemon

Exploitation

Commercial manipulation - Marketed to appeal to children

Commerical exploitation e.g. encouraged to spend on collector cards

Empowerment

Market responds to demand

Games require interactivity

Use texts in their play

Consumption & Creativity

Consuming culture creatively

Defining consumption & creativity

Consumption = use of manufactured products

Agency & creativity

Children are ACTIVE MEANING MAKERS - use products creatively

Children as consumers

Consumption & identity

Form friendships with others who like same products

VIDEO: Minna & Elizabeth - Chittagong

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Minna & Elizabeth - VIDEO: FRIENDSHIP - Go shopping together, claim to have same taste in all things - 'we're a photocopy of each other'

Use products to create peer culture or 'habitus'

KLINE - argues that consumption (shopping, toys, TV, music clothing) is central to socialization process

The 'child market'

Comics & mags

Use as 'cultural resource' for developing friendship groups - girls read mags collectively

Pop music

Form of self-expression - being a fan produces collective identity

AUDIO: Terina 'whole world revolves around music

AUDIO: Bilkis - music enhances her life

New technologies

Positive

Children engage with media forms as part of their everyday lives: play/friendships

Negative

Can be addictive esp. video games

Creation of personalised space

Use products to personalise spaces / express identity

VIDEO: Cathy & Sharon's bedroom

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Bedroom has aspects of their Chinese culture along side pictures of their favourite pop stars.

Play

Perspectives

Historical - ROUSSEAU - free expression

Learning - PIAGET - opp. for children to practice emerging skills

FREUD - inner world of psyche revealed through play

G.H. MEAD - role play develops sense of self

Video: Pretend Play

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MELISSA & HADLEY - UK NURSERY - play at being parents & babiesLAURA & AALLIYAH - pretend to play lost babies

A Child's world

Children's engagement with customs e.g. Halloween changes over time

Folklore

Peter & Iona OPIE

Video: Oakland+Chittagong clapping game

GUDGEON - observed new stereotype of femaleness ' girl power'

Social dynamics

Barrie THORNE - BORDERWORK ethnographic study of children's cultural worlds

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BORDERWORK - term used to characerise the ways children tend to form single-sex friendship groups that create & strengthen gender boundaries.

Social or solitary - CHILDREN CREATE OWN MEANINGS & sense of idendity

Video: My Space - SEAN, TINCO, JOSHUA

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SEAN & brothers - OAKLAND - playing in tunnel in park - appeal is its scariness - boys engage in daring gamesTINCO & friend - CHITTAGONG - jump on trains to nearby townJOSHUA - CAPETOWN - creates space in imagination by reading books

Draws on patterns of inequality e.g. gender roles, social class & ethnicity

Toys

Not necessary part of play

Mass production & marketing permeated children's culture

Friendships

Significance

Development of identity

Nature of friendships

ROBERT SELMAN - concept of friendship relates to development of social understanding

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Momentary physical playmateChildren aged 3-5 define friends in terms of shared activities & geographical locations i.e school/neighboursOne-way assistanceChildren 6-8 become aware of others likes & dislikes, but don't acknowledge the reciprocal nature of friendship.Fairweather co-operationReciprical understanding from 9-12 yearsMutual concern11-15 years - friendship seen as a bond built over time, made stable by mutual support

WILLIAM CORSARO - ethnographic approach to studying children

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ETHNOGRAPHIC APPROACH - studying children by extensive observation and involvement in their activities

Friends in their place

Home - parents control / children of parents friends

School - age banded / single sex schools

Neighbourhood - same social class

Video: Friendship - BILKIS & friends

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CHITTAGONG - Bilkis, Taslema & Kobita playing kut-kut, shopping & making mash. Describe what friendship means to them.

On the street - shared hardships, mutual support

Video: Friendship -Shane, Steven & Wilfred

!Kung

Friendships transitory - formed with whoever available

Gendered friendships

Girls

Video: MINNA & ELIZABETH

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Middle-class CHITTAGONG - Exemplifies girls friendship - close friends, met 2 years ago when Minna joined Elizabeth's school - MINNA - "we're a photocopy of each other, that's what I think"

Boys

Video: Boys Friendships - ANDY & CHET

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ANDY & CHET - known each otehr since pre-school. CHET says shared interest in drawing cartoons & aikido maintains their friendship.BOYS & GIRLS form single sex groups - boys informal - girls more tightly bound

Long term significance

BAGWELL longitudinal study

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BAGWELL et al studied friendships over 13 year period - established link between positive childhood friendships to quality of life in adulthood. However, this could be because of personality features.

Children's literature

History of children's books

Linked to conceptions of childhood

PURITAN (Wesley)

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PURITAN - Encouraged by Church children thought of as sinful. Encouraged to read the Bible.Hugh Rhodes (1545) - Book of Nurture - an early guide to childcare - children should read the Bible & other Church teachings and kept from reading fables and stories.Alternative view to LOCKE - Mary Sherwood wrote The History of the Fairchild Family (1818) - exemplifies Wesley's view that children should be subservient to their parents & there should be a religious emphasis in families.

Mary Sherwood - The History of the Fairchild Family (1818)

BLANK SLATE (John Locke)

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Philosopher JOHN LOCKE wrote Some Thoughts Concerning Education (1693). Advocated that children born like 'blank slats' ready to be written upon. Recommended a more gentler and enjoyable approach to learning.LOCKE's views influenced JOHN NEWBURY NEWBURY published the Little Pretty Pocket-Book (1744). Written with children as readership.Also, The History of Little Goody Two-Shoes (1765). Strong moral values but written to amuse children.

John Newbury - Little Pretty Pocket Book (1744)

Newbury: The History of Little Goody Two-Shoes (1765)

ROMANTIC (J-J ROUSSEAU)

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JEAN-JACQUES ROUSSEAU - wrote EMILE (1762) proposed 'natural' upbringing for BOYS but concerned that GIRLS accept subservience to men & learn how to please their husbands.Recommended Daniel Defoe's ROBINSON CRUSOE for teenagersSaw CHILDHOOD AS A SEPARATE STATE to be valued in own rightInfluenced poets such as Wordsworth, Blake & Coleridge & writers e.g. THE SECRET GAREN - Frances Hodgson Burnett, ENID BLYTON, A.A. MILNE,

Frances Hodgeson Burnett - The Secret Garden (1911)

Charles Kingsley: The Water Babies (1863)

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Charles KINGSLEY - SOCIAL REFORMER - drew attention to children's working conditionsTom, orphan chimney sweep, cruelly treated by aster, runs away and is transformed into water baby.

Fairy/folk/traditional tales

BRUNO BETTELHEIM - fairy tales important to children's psychological development

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Sees fairy tales as an expression of children's inner fears e.g. Hansel & Gretel - fear of being abandoned by parents.Critised - does not acknowledge that children may take different meanings from stories - or that stories change through history and in different cultural contexts.

Audio: Anne Fine - children improverished if don't read quality fiction

ZIPES (Red Riding Hood adaptation) Traditional tales are adapted historially & culturally

The Story of the Falling Star emplifies traditional story 'recovered' to appeal to contemporary readers

Representation, politics & children's literature

4 main impacts on children's literature - 20th Century

Wider range of authors

Books promoted + tie-ins e.g. Harry Potter

Greater diversity in stories, challenging stereotypes

e.g. Contemporary princess Princess Smartypants (1988)

Children encouraged to be critical readers

Debate on the ways children are influenced by what they read

e.g. Carnegie Medal winning novel Junk (1996) focus on drugs