по valeria londoño 3 лет назад
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Больше похоже на это
от GERARDO EMANUEL SIC ORTIZ
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To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
Diferencian las modalidades textuales dentro de los tipos discursivos. Si la estructura discursiva es lo que los textos tienen en común, las propiedades semánticas es lo que los distingue entre sí.
Uso de jergas especializadas, coherencia local y global, sustentación razonada, no contradicción, extensión relativa según el texto (expositivos, argumentativos y expositivo-argumentativos). Versificación, organización por estrofas, creación de imágenes, ritmo (textos poéticos).
Se refiere a un conjunto de operaciones de producción comunes a las diferentes modalidades dentro de los tiposdiscursivos. Estas operaciones son procedimientos de elaboración necesarios para construir los textos, ya sean poéticos, argumentativos, expositivos o narrativos.
Definición, descripción, clasificación, seriación, jerarquización o generalización; uso de referencias bibliográficas, de citas de autoridad, de notas a pie de página o de citas textuales; relaciones causa-efecto, problema solución, com- paración y paralelismo (textos expositivos y expositivo-argumentativos). Tipos de argumentos: cuasilógicos, basados en la estructura de lo real, argu- mentación por el ejemplo, la ilustración y el modelo (textos argumentativos y expositivo-argumentativos). Narrador(es), personajes, tiempo, espacio, acciones, conflictos (textos narrati- vos y poético-narrativos).
Es la intención del emisor al producir un texto. Por lo general, este presenta diversas secuencias textuales o modos; pero predominará uno, según el propósito del agente comunicativo.
Describir, explicar, analizar e ilustrar (textos expositivos). Argumentar, persuadir, expresar un punto de vista y debatir (textos argumentativos o expositivo-argumentativos). Contar una historia, relatar acontecimientos o describir lugares, personas y situaciones (textos narrativos). Expresar emociones, sentimientos o sensaciones; crear imágenes verbales, o jugar con el lenguaje y las palabras (textos poéticos).
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
This is the closure section of the story.
See examples of possible outcomes below:
Literario, pedagógico, científico, periodístico o jurídico.
Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?
El relato oral y la conversación cotidiana.
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
Estos aportan algunos elementos de juicio para postular la existencia del discurso argumentativo junto a otros discursos.
Your character(s) need(s) motivation in order to solve the challenge(s).
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
Obras
Tratado de la argumentación: la nueva retórica (1958).
Retórica y filosofía (1952).
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
Discurso epidíctico.
Discurso de elogio o de acusación que analiza los actos de los contemporáneos.
Discurso judicial
Mediante el cual se acusa o se defiende.
Discurso deliberativo
Es aquel que corresponde anuestro discurso político, por lo general dirigido a una asamblea.
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
The setting (time & place) of a story can change throughout the plot.
Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.
Es categoría analítica y tiene una existencia teórica, una construcción conceptual, tambien abarca distintas modalidades textuales que permiten agrupar textos particulares y concretos.
Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.
Type in the name of your character.
El texto tiene una existencia empírica (es una unidad de comunicación oral o escrita) que podemos fragmentar y subdividir en unidades menores.
Add other properties of the character.
