Early Career Challenges in Teaching Music
Opportunity to Teach
Availability of Music Sections
Limited Permanent Music Sections
Limited opportunity to establish roots in a school and program
Feeling like I am stagnating in teaching ability when not
teaching music
Continuing to Develop when Not Teaching Music
Outside of School PD
UofT Conducting Symposium
Cambrian College Conducting Symposium
OMEA & Other Conferences
Issue Here
- Financing
- Most likely my own $$
- Can't interfere with School Schedule
- Distance and Time
Balance of Abilities
Students come in with WIDE variety of musical abilities
The Experts:
How do I keep them engaged and challenged when helping to bring up new and beginning students?
The Beginners:
How can I get them up to a solid base of ability as quickly and meaningfully as possible without rushing them?
The Kids in Between:
How do I engage them to grow on the abilities they have begun to build?
How do I make sure that they are not underwhelmed by Beginner stuff, and overwhelmed by Expert stuff?
COVID-19 and Online Teaching
Instrumental... Online?
Issue of Equity:
- Not all students have instruments
- Not all students can afford to rent instruments
- Schools do not have enough instruments to lend all students
Access to Technology
My board provides Chromebooks to students BUT
Chromebooks are limited in what they can do
Dedicated time for students to get one-on-one teaching
Sharing resources
- Copyright issue?
- What I have access to share (not all instruments)
- Not all resources I currently have are beginner student friendly
Ensemble Playing
Other colleagues in other boars have had their students
record parts and edit it together to create a full performance
Equity issue again
- Access to recording tech
- Space to practice and record
My Issue
- I don't have the editing skills to put this together
- I likely will not have the time to put consistent mass ensemble videos often
Innovation vs. Necessary Constants
Instrumental
Classic band learning
Issues with Percussion:
- Do I delay having ANYONE play percussion?
- How do I keep percussion engaged when learning parts?
- Can I get everyone to learn both Wind Instrument skills AND Percussion skills?
Balance of Instruments:
- Strong chance of having little to no low brass
- Lots of Saxes, but no one wants to play Tenor or Bari
- Electric Basses, how many is too many?
Other
Rock Band and Guitar
Engages the not-usual 'Band' kids
Provides a different, more ear and trial and error based learning environment
Funding and School Support
Battle for funds to create program
Support and Advertising for courses
Conflicts with other Arts Courses
- Why does Music seem to get the short straw when it comes to new and innovative courses/ opportunities?
Real World Experts
Amazing opportunity for authentic, real world leaning
Can be from a variety of topics that will engage beyond 'Band' or 'Choir'
Establishes strong connections with community leaders and artists
Cost and Timing
Booking them can be difficult
- Your schedule vs. Theirs
Support and Funding from Admin
- Is there money in the budget?
- Can the school help pay for this?
- If I'm out of options, is how viable is paying them under the table?
Student Voice and Choice
Bringing Student choice into pieces learned and performed
Positive Experience:
Students designed 4-chord Vocal Mash-up and performed at Spring Concert
- Student driven
- Authentic learning
- Different from standard choral pieces
Struggles:
Students only want to sing the songs they know and like
- Nothing in a language that isn't English
- Nothing that is 'old fashioned'
Working on and Learning Parts
Lack of focus or desire to work on music if it isn't their part/ they don't have the melody
How Do I Make Learning Ensembleship Engaging??
Knowledge and Responsibilities
Have never had to run a Music program myself
LTO coverage for a semester
Only worried about running the classes
Little responsibility to organise trips, competitions, or costs with budget
3rd Music teacher in the school, with all needs covered by
current, experienced teachers
Limited opportunities to run ensembles (other teachers run all ensembles)
Understanding budget, purchasing and organising program taken care of/ not openly shared with me