Fonología (subcontenidos)

Mere som dette

CONCEPTOS DE PRODUCCIÓN, PRODUCTIVIDAD Y CALIDAD

af Sergio Cruz Cruz

tipos de objetivos en la planeacion

af Mariela Vázquez Justiniano

Estado-Nación

af alexander amu

Sistema de informacion

af Christian Camilo Laguna Garzón

Test

TAR- PEFF-R - TEPROSIF-R - analisis de corpus

PECFO-PHMF-IDTEL

Test de discriminacion auditiva de wepman

Fonología (subcontenidos)

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

Producción

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

PSF

Cantidad y comparo con la edad

Tipo de PSF

Estructura silábica

Sílaba trabante indirecta

Difono consonántico

Difono vocálico

Sílaba directa

Acentuación

This is the closure section of the story.
See examples of possible outcomes below:

• all problems have been solved
• it's clear how each one of your characters ends up
• your main character is transformed by the challenge

Sobreesdrujula

Esdrujulas

Try answering these questions in order for you to come up with a closure:
- Have all problems been solved?
- Is it clear what happens with all your characters in the story?
- Has the challenged transformed your main character?
- How do the characters feel in the end?

Graves

Agudas

Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?

Metria

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:

• realization
• resolution
• choice

Type in your answer.

Polisílabos

Trisílabos

Bisílabos

Monosílabos

Organización

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

Conciencia fonologica

Fonema

Omisíon

Síntesis fonemica

Análisis fonemico

Id.fonema final

Id. fonema medial

Id. fonema inicial

Rima

Identificar si rima o no

Reconocer silaba inicial

Silaba

Segmentación

Inversión

Adición

omisión de silabas

Id. silaba inicial,medial y final

Percepción

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

Discriminación auditiva

The setting (time & place) of a story can change throughout the plot.

No verbal

Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:

• the smell of fresh bread
• the scent of freshly cut grass
• rain falling onto the windshield etc.

Verbal

The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.

Memoria auditiva

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

test

Type in the name of your character.

Repetición de pseudopalabras de Aguado

Add other qualities/attributes of the character.