EACEA 2013-2014

Még több ilyen

Choosing the right MBA

Szerző: Hatem Rizkallah

QA

Szerző: Jason Xu

ML

Szerző: Arthur Jiang

Futures Wheel

Szerző: Amy Spielmaker

EACEA 2013-2014: Strand 1.3.5: Special Cooperation Projects with Third Countries

Project Proposal

Bibliography, References and Acknowledgements (needs REVISEMENT)

more...

Prof. Alan Barnard

History and Theory in Anthropology

The University of Edinburgh

Prof. Brenda Laurel

Design Research: Methods and Perspectives

MIT

Prof. Ayesha Jalal

Modern South Asia: History, Culture, Political Economy

TUFTS University

Prof. John Maeda

Creative Code: Aesthetics + Computation

RISD

Prof. Marieke de Mooij

Consumer Behavior and Culture: Consequences for Global Marketing and Advertising

Prof. Lev Manovich

Media Visualization.Visual Techniques and Exploring Large Media Collections.

Media Studies Future

Prof. Stephen Palmer

Vision Science

MIT, Berkeley

Prof. Geert Hofstede

Cultures and Organizations: Software for the Mind

Tilburg University

Prof. Tony Fry

Design Futuring / Design Politics

Report

Product

Workshops

Educational Platform

Results & Conclusion

Method / Testing and Redesign- QUALITATIVE RESEARCH/SCOPING STUDIES/CASE STUDIES/ETC

Research

REVISEMENT Neue Craft (?)

Atoms + Bits = Craft

Human Computer Interaction/Design research

Neo-liberalism's approach- attachment to consumerism

User Centered Design

Singularity approach

Human Computer Interaction

Vision science I believe that's irrelevant to the proposal or at least to the certain approach

now

Constructivism

historical

Ecological Optics

Gestalt

Structuralism

Design psychology

design as part of designers' ontology

how people perceive futures

uncertainty avoidance

perception of time

Dialectics of Sustainment: The Culture of consumptionconsequences on design / architecture / lifestyle

Eurocentricism

Designers' Identity

cultural background

Advertising Inadequacies/Colonization of imagination

MNCs

Universalism vs Particularism

e.g. US vs Japan Japan is considered to be Western Design

Hofstede's Dimensions of Culture - implementation on design & architecture

Time

Collectivism / Individualism

Power Distance

Uncertainty Avoidance

M-F

designer's negative impact on environvironment/Designers: Receipients or Creators of 'Defuturing'.

Nihilistic behavior towards climate change

consume more lifestyle's side effects/ Attachment to materiality

decrease of natural resources/ Exhaustion of natural resources

devastation of biodeversity/ Devastation of the biophysical environment

e.g. Rise of earth's temperature/ American Mink in Europe

Question / Proposal

The REDESIGN / EXCHANGE of Design Education Methodologies - an attempt to create a curriculum that matches new modernity/The re-design of design education: Creating the Curriculum of the 'Futuring'.

Main topic

Application procedure

Send the application package to the Executive Agency

B) Document to be provided on CD-rom

application package by post at the latest on 04/05/2012

7/ the financial capability form (for the coordinator only)

6/ the financial identification form (for the coordinator only)

5/ the legal entity form

4/ an estimated budget form*

3/a mandate* for each coorganiser

2/ the cooperation agreement*

A) Document to be provided on paper:

1/ an official cover letter signed by the legal representative of the coordinator

Submit the eForm and Annexes

(Checklist)

The signed Declaration of Honour

The Estimated Budget form

detailed description of the project

NO template provided

eForm

template provided

Project Partners

Third Country Partner(s)

Griffith University

Design Futures

Co-organizer(s)

Goldsmith- Duncan Fairfax/Ludwig Maximilians University Munich Friederike Borntrager/ Glasgow school of Art- Sarah Drummond etc.

Coordinator

Koszalin Technical University

Design Department

Program Summary

Strand 1.3.5: Special Cooperation Projects with Third Countries (lasting up to 24 months)

The third category seeks to support cultural cooperation projects aimed at cultural exchanges between the

countries taking part in the Programme and third countries, which have concluded association or coop­

eration agreements with the EU, provided that the latter contain cultural clauses. Every year one or more

third country(ies) is/are selected for that particular year. The country(ies) is/are indicated each year on the

website of the Executive Agency in due course before the deadline for submission.

The action must generate a concrete international cooperation dimension. The cooperation projects involve

at least three cultural operators, from at least three eligible countries and cultural cooperation with at least

one organisation from the selected third country and/or involve cultural activities carried out in the selected

third country. Funds of between EUR 50 000 and maximum EUR 200 000 are available, but EU support is

limited to a maximum of 50 % of the total eligible cost.

FUNDS

EU support is limited to a maximum of 50 % of the total eligible cost.

EUR 200 000

EUR 50 000

MAX DURATION

24 months

OBJECTIVE

to support cultural cooperation projects aimed at cultural exchanges between the countries taking part in the Programme and third countries (Australia or Canada)