Elementos de arrastre y transmisión de movimiento

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Tipos de Flora y Procesos de Infección.

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fundamentos de acotación

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Estructura y Mecanismos

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TOPOLOGIAS DE RED Y MEDIOS DE TRANSMISION

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sus principales disposiciones son :

pasador de cierre

pasador radial

pasador radial oblicuo

pasadores axiales

pasadores tangenciales

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Elementos de arrastre y transmisión de movimiento

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

PARA LOGRAR LA UNION Y LA TRANSMISION DE MOVIMIENTO ENTRE EJES O ENTRE UNA PIEZA Y UN EJE

UNIONES CON PASADORES

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

PASADOR TIPO BETA O R

A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.

See a few examples below:

• stopping a meteor
• finding a killer
• finding love

PASADOR CONICO

Your character(s) need(s) motivation in order to solve the challenge(s).

ENCONTRAMOS

CONICO CON ROSCA INTERIOR

CONICO CON ESPIGA ROSCADA

TRANSMITEN EL MOVIMIENTO Y FIJAN PIEZAS

Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.

PASADORES EN ESPIRAL

PARECIDOS A LOS ELASTICOS PERO PERMITEN MAYORES TOLERANCIAS,ABSORBEN LAS BIBRACIONES Y LOS GOLPES

PASADORES ESTIRADOS

PASADOR CILINDRICO

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

HABITUALMENTE ENCONTRAMOS TRES TIPOS

Type in any other challenges which other characters in the story need to face.

PASADOR ELASTICO CON RANURA LONGITUDINAL PARA PODER REDUCIR SU TAMAÑO

DEFINIDOS POR LA NORMA UNE-EN ISO 2338:1998

CILINDRICO CON EXTREMOS PLANOS

DE EXTREMOS ACHAFLANADOS

DE EXTREMOS ABOMBADOS

NO TRANSMITE EL MOVIMIENTO NI SIRVE PARA FIJAR SU FUNCION ES SITUAR PIEZAS DE UNA FORMA DETERMINADA

In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:

• turns into a werewolf at night
• is sent back in time

PASADOR DE ALETAS

UNIONES ENCHAVETADAS

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

CHAVETAS

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

LENGÜETA O CHAVETA PARALERA

CHAVETAS TRANSVERSALES

CHAVETAS TANGENCIALES

CON CABEZA O SIN