Categorieën: Alle - aprendizagem - desenvolvimento - criatividade - estratégias

door Rogerio Roberto 3 jaren geleden

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23.7-Estratégias participativas de ensino e aprendizagem

Abordagens participativas no contexto educacional têm se mostrado eficazes para promover o engajamento dos estudantes e facilitar a troca de ideias inovadoras. O uso de técnicas colaborativas permite que os alunos aprendam uns com os outros, enriquecendo o ambiente de aprendizagem com diferentes perspectivas.

23.7-Estratégias participativas de ensino e aprendizagem

23.7-Estratégias participativas de ensino e aprendizagem

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

Estratégias

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

Transformar

This is the closure section of the story.
See examples of possible outcomes below:

Ensino
Aulas

Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?

Aprender

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:


Type in your answer.

Aprendizagem

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

Aprimoramento

There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.

Novas técnicas

A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.

See a few examples below:

Teorias

Práticas

Desenvolvimento

Your character(s) need(s) motivation in order to solve the challenge(s).

Processo pedagógico

Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.

Mais assertivo

Autônomo

Profissional

Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:

Ativo

Sucesso

Colaborativa

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

Compartilhamento

Type in any other challenges which other characters in the story need to face.

Ideias

Ferramentas e práticas

Nova ideias

In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:

Insigths

Grupo

Aperfeiçoar

Novas experiências

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

Criatividade

The setting (time & place) of a story can change throughout the plot.

Com colegas

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.