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To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
nacional
Republicana
17 de julio de 1936
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
Asesinato teniente Castillo
en respuesta asesinaron a José Calvo Sotelo
conspiración militar derechista
Emilio Mola
aumento de la violencia en las calles
Santiago Casares Quiroga presidente
Ganadores de las elecciones de 1936
unión de los partidos de izquierda
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
Asturias
revolución social
largo Caballero fue detenido
Cataluña
declaró el estado catalan
el estatuto de autonomía fue cancelado
Triunfo de la derecha
presidente de la república
primera vez que las mujeres votan
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
José María Gil Robles
conjunto de partidos de la derecha española
Your character(s) need(s) motivation in order to solve the challenge(s).
Secondary characters also might have motivs beacuse of which they may cross path with main character or which might trigger them to help the main character.
crisis económica mundial
agotamiento del gobierno de Azaña
brotes de violencia
Casas Viejas
Castilblanco
oposición al gobierno republicano-radical
Intento de Golpe de Estado
General Sanjurjo
Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.
Estatuto de Autonomía Andalucía
Estatuto de Autonomía Galicia
Estauto de Autonomia Pais Vasco
Estatuto de Autonomia Cataluña
dotada de generalitat, presidente y consejo ejecutivo.
Francesc Macià
1932
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
Reformas laborales
ley de términos municipales
Ley de jurados mixtos
Ley de contratos
Reforma educación
Implantación Laicismo, con la regulación de la enseñanza de la religión católica
formación del profesorado con un aumento del salario y un mayor reconocimiento social
Creación de 5000 escuelas públicas al año
Reforma del ejercito
sometimiento del ejercito al poder civil y a la república
supresión de cargos innecesarios
reducir el número de oficiales
Lealtad del ejercito
Reforma Agraria
Instituto de la reforma agraria (IRA)
Ley reforma agraria 1932
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
Unicameralismo
Separación de la iglesia y el estado
Estado integral
Sufragio universal
masculino y femenino para mayores de 23 años
extenso conjunto de derechos y libertades
por primera vez derechos sociales y económicos
Soberanía Popular
Type in any other challenges which other characters in the story need to face.
Iglesia
Expulsar al cardenal Segura y el obispo Mateo Múgica
Ejercito
jurar lealtad a la república
Independencia de Cataluña
estatuto de autonomía
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
Casares Quiroga y Nicolau D’olwer
nacionalismos vasco y catalanhj
Fernando Ríos, Largo Caballero e Indalecio Prieto
PSOE
Marcelino Domingo
Radical-Republicano Socialista
Manuel Azaña
Acción Republicana
Alejandro Lerroux
Partido Radical
Alcalá Zamora y Miguel Maura
Derecha liberal
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
The setting (time & place) of a story can change throughout the plot.
Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.
Type in the name of your character.
