по lorena garzon 3 лет назад
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Больше похоже на это
To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
This is the closure section of the story.
See examples of possible outcomes below:
Try answering these questions in order for you to come up with a closure:
- Have all problems been solved?
- Is it clear what happens with all your characters in the story?
- Has the challenged transformed your main character?
- How do the characters feel in the end?
Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
se reconocen las ideas y el tema principal
se realiza mas profunda
Detalles
de causa o efecto
por comprension
secuencias
ideas principales
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
La que leemos generalmente por las calles de manera involuntaria.
Se realiza eligiendo ciertos fragmentos de un determinado texto.
Se identifican los términos sin la necesidad de contar con el significado de ellos.
El objetivo principal del lector no es la comprensión, sino que el placer de leer.
Mientras se lee, se produce una lluvia de ideas con riqueza de contenido
El lector no queda tranquilo hasta haber entendido perfectamente el mensaje
Permite buscar datos o aspectos muy específicos para el lector
Es captar la idea general de los contenidos fundamentales del texto, sin entrar en detalles.
Se recibe mentalmente el mensaje escrito sin pronunciar palabras.
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
Es la que se practica cuando se articula el texto en voz alta
Your character(s) need(s) motivation in order to solve the challenge(s).
Lectura literal en profundidad: en este tipo de subcategoría se penetra en la comprensión de lo leído.
Lectura literal de nivel primario: aquí se hace hincapié en la información y datos explícitos del texto.
Secondary characters also might have motivs beacuse of which they may cross path with main character or which might trigger them to help the main character.
Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
The setting (time & place) of a story can change throughout the plot.
Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:
Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.
Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.
Type in the name of your character.
