FORMACIÓN DA LINGUA GALEGA

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FORMACIÓN DA LINGUA GALEGA

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

FORMACIÓN HISTÓRICA DO LÉXICO GALEGO

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

Léxico galego procede latín vulgar. Non todas as palabras sufriron a mesma evolución xa que non foron introducidas na mesma época.

SEMICULTISMOS

miraculum > milagre

delicatum > delicado

CULTISMOS

abstracción, opción

primaria

multitude, altraísmo

partícula, monóculo

popular, acuoso, estatal

escena, dolor

lácteo

cuaternario

audiencia

pluviómetro, clave

PALABRAS PATRIMONIAIS

clamare >chamar

aurum > ouro

tenere > ter

factum > feito

vedere > ver

populum >pobo

FORMACIÓN HISTÓRICA DA LINGUA GALEGA

SUPERESTRATO

Influencia exercida por unha lingua invasora sobre unha lingua autóctona

ÁRABE

This is the closure section of the story.
See examples of possible outcomes below:

• all problems have been solved
• it's clear how each one of your characters ends up
• your main character is transformed by the challenge

Oxalá, ala!

A Mezquita

Arroz, alforxa, aceite

Algoritmo, alquimia, álxebra

Alcalde

Alicate, albanel

Try answering these questions in order for you to come up with a closure:
- Have all problems been solved?
- Is it clear what happens with all your characters in the story?
- Has the challenged transformed your main character?
- How do the characters feel in the end?

Cenoria

Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?

XERMÁNICO

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:

• realization
• resolution
• choice

Type in your answer.

Guerra, frecha, tregua, gañar, espía, bramar

Baltat, Damil, Taramundi, Rairiz, Allariz

Alfonso, Carlos, Ramón

ADSTRATO

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

Recíproca influencia entre linguas veciñas ou que conviven nun mesmo territorio

influencia do castelán sobre o galego e viceversa

SUBSTRATO

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

Influencia dunha lingua nativa sobre unha lingua implantada no mesmo territorio

PRERROMANO

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

carro, cervexa, cabalo

Add other qualities/attributes of the character.

beizo, berce, burato

What is your character's main goal?

lama, toxo, veiga

Which traits best describe the character's personality? Choose more if necessary:

carbarllo, carrasca

Choose the type of your chacter: