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the pigments were made in the same studio and even by the same artist
there is underdrawing, probably charcoal
the binder is based on an animal glue
might not be a Cézanne at all
a substantial absorption from a polyene present in the paint material
could be a 100 years old
the painting is an original nineteenth century painting in agreement with the compositions of pigments available during Cézanne's time
the elemental composition of the painting matches the composition of the pigments used during the period 1839-1906