PENSAMIENTO ECONOMICO

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habilidades comunicativas

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Relaciones ecológicas

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LOS 10 PRINCIPIOS DE LA ECONOMIA

av Patricia Alarcon

Política fiscal

av Erika Orta

PENSAMIENTO ECONOMICO

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

DESAROLLO RECIENTE DE LA TEORIA ECONOMICA

LA NUEVA MACROECONOMIA CLASICA

SE CENTRA EN REVALIDAR Y AMPLIAR LOS RESULTADOS DEL PLANTEAAMINETO MONETARIO

REVOLUCION KEYNESIANA Y LOS MONETARISTAS

EL PAPEL DEL ESTADO

LOS MONETARISTAS AFIRMAN QUE LAS AUTORIDADES ECONOMICAS SOLO DEBEN PROVEER A LA ECONOMIA DE UNA CANTIDAD DE DINERO Y QUE CREZCA A UNA TASA CONSTANTE

LA CONTRAREVOLCION MONETARIA

FIREDMAN SOSTIENE QUE LOS INDIVIDUOS AJUSTAN SU GASTO EN CONSUMO A SU RENTA A LAGO PLAZO Y NO COMO LA DEL CONSUNO Y LA INVERSION

KEYNES RECHAZO QUE EL ESTADO NORMAL DE LA ECONOMIA FUESE EL PLENO EMPLEO

ECONOMIA NEOCLASICA

TEORIA DE LA PRUCCION

MARSHALL ANUNCIA QUE LAS VENTAS DE LAS EMPRESAS ESTAN LIMITADAS AL MERCADO PARTICULAR LENTA Y COSTOSAMENTE ADQUIRIDO

ALFRED MARSHALL

HABLO DEL COMPORTAMIENTO DE LOS PRODUCTOS Y CONSUMIDORES ERA LA CLAVE PARA FIJAR PRECIOS

FUE EL FUNCIONAMIENTO DEL SISTEMA DEL MERCADO Y SU PAPEL COMO ASIGNADOR DE RECURSOS

ECONOMIA MARXISTA

TEORIA DE LA EXPLOTACION

CONSISTE EN QUE EL EMPRESARIO DEBEDE CONTRATAR A LOS TRABAJADORES POR TIEMPO COMPLETO Y NO POR TIENDO QUE DURE SU PRODUCCION

CREADOR DE LA TEORI DEL VALOR-TRABAJO MARX LLEGO A LA COMCLUCION QUE TANTO LA MERCANCIA COMO EL TRABAJO TIENEN EL MISMO VALOR

KARL MARX

FUNDADOR

PROLONGACION DEL SISTEMA CLASICO

JHON STUART MILL

SE DESTACO POR TRAER DE NUEVO LA LEY DE PRODUCCION Y DISTRIBUCION, DEJANDO CLARO QUE LA PRODUCION LA REGIA LA NATURALEZA Y LA TECNOLOGIA

THOMAS R. MALTHUS

HABLO SOBRE LA POBLACION A FUTURO Y LA SOBREPOBLACION, DEL ESTANCAMIENTO DE BIENES NO ESENCIALES, DE ESTIMULAR LOS GASTOS DEL ESTADO Y LOS RICOS

J.B.SAY

DESAROLLO UNA LEY DONDE NO HABRA NECESIDAD DE EL DINERO, SOLO INTERCAMBIO DE PRODUCTO

ECONOMIA CLASICA

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

SE CENTRAN MODELOS DE MERCADO MAS COMPETITIVAS DONDE EL EMPRESARIO SE VE OBLIGADO A MANTENER BAJOS COSTOS Y BUENA MANO DE OBRA PARA SER COMPETITIVOS

This is the closure section of the story.
See examples of possible outcomes below:

• all problems have been solved
• it's clear how each one of your characters ends up
• your main character is transformed by the challenge

TEORIA DE LA ACUMULACION

CONSISTE EN REINVERTIR LOS EXCEDENTES DE LAS RENTAS O GANANCIAS EN MQUINARIA PARA MEJORAR LA PRODUCCION Y MANO DE OBRA

TEORIA DEL VALOR

Try answering these questions in order for you to come up with a closure:
- Have all problems been solved?
- Is it clear what happens with all your characters in the story?
- Has the challenged transformed your main character?
- How do the characters feel in the end?

CONSISTE EN MANTENER UN PRECIO REGULAR AUN DEPENDIENDO DE UNA BUENA MANO DE OBRA

ADAM SMITH Y DAVID RICARDO

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:

• realization
• resolution
• choice

Type in your answer.

PRINCIPALES REPRESENTANTES

ESCUELA FISIOCRATICA

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

DEFENSORES DE DERECHOS DEL HOMBRE Y EL COMERCIO Y AGRICULTURA INTERNA, EXPLORAR LAS TIERRAS FÉRTILES PARA GENERRAR RIQUESA Y PROGRESO

Your character(s) need(s) motivation in order to solve the challenge(s).

F. QUESNAY

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

FUNDADOR Y PRINCIPAL REPRESENTANTE

In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:

• turns into a werewolf at night
• is sent back in time

LOS PRECLASICOS

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

EPOCA MERCANTILISTA

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

SE CARACTERIZABA POR MANTENER UN EQUILIBRIO ECONÓMICO TANTO EN OFERTA Y DEMANDA SE CENTRABA EN EL COMERCIO INTERNACIONAL CON ORO Y PLATA

Type in the name of your character.