Aorta abdominal

Mere som dette

Ramificaciones

af jessica Mendieta

Diámetros y su Aplicación

af Deisy Cardona

TRAUMA TORÁCICO CLASIFICACIÓN:

af Andrea Alava

Presentación del medico

af Israel Mones

VENAS DIGITALES PLANTARES PROPIAS AXILES Y ABAXILES DE CADA DEDO

SUPERFICIE DORSAL

Aorta abdominal

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

circulación de retorno

V.cava caudal

V. iliaca primitiva interna

pudenda interna

V. glútea craneal

V. caudal lateral

V. glutea caudal

viene de inervar: perine, semiitendinoso y semimembranoso

V. sacra media

V. coxigeas

V. iliaca primitiva externa

tronco pudendo epigastrico

femoral circunfleja media

vena femoral profunda

vena femorsal

V. genicular descendente

V.proximal

V.media

V. distal

v. posterior

v. poplitea

V. tibial caudal

viene desde

venas digitales dorsales propias de cada dedo

V. safena medial

V. tibial craneal

v. safena lateral

vena perforante proximal

arco venoso plantar proximal

V. metatarsianas plantares 2,3 y 4

arco plantar venoso distal

Iliaca externa

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

Femoral profunda

There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.

Tronco pudendo epigástrico

A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.

See a few examples below:

• stopping a meteor
• finding a killer
• finding love

Pudenda externa

This is the closure section of the story.
See examples of possible outcomes below:

• all problems have been solved
• it's clear how each one of your characters ends up
• your main character is transformed by the challenge

Irriga escroto o glándula mamaria

Epigástrica caudal

Irriga piso de la pared abdominal

Femoral circunfleja media

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

Irriga gracilis, peptinio, sartorio, semimembranoso

Rama obturadora

Irriga músculos obturadores

Femoral

Your character(s) need(s) motivation in order to solve the challenge(s).

Safena

Digitales plantares comunes 2,3 y 4

Type in any other challenges which other characters in the story need to face.

Plantar medial

Arco plantar profundo proximal

Arco plantar superficial

Metatarsianas plantares 2,3 y 4

Plantar lateral

Rama craneal

Digital dorsal propia abaxil 5

Digitales comunes dorsales 2,3 y 4

Digitales dorsales propias

Poplítea

Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.

Tibial craneal

Rama superficial

Rama profunda

Irriga tarso y dedos

Pedal dorsal

Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:

• the smell of fresh bread
• the scent of freshly cut grass
• rain falling onto the windshield etc.

Perforante proximal

Arqueada

Metatarsianas dorsales 2, 3 y 4

Irriga extensores

Tibial caudal

Femoral posterior distal

Rama ascendente

In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:

• turns into a werewolf at night
• is sent back in time

Irriga bíceps femoral, semimembranoso, semitendinoso

Rama descendente

Does your story include catastrophic weather? See a few suggestions below or add your own:
- hurricane, earthquake, storm, etc

Irriga flexores

Femoral posterior proximal

Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?

Irriga gracilis, sartorio, semimembranoso, semitendinoso

Genicular descendente

Irriga rodilla

Femoral posterior media

Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:

• will marry in 3 days
• can fix the mistakes of the past

Irriga músculos caudales del muslo

Femoral circunfleja lateral

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:

• realization
• resolution
• choice

Type in your answer.

Rama caudal

Irriga bíceps femoral, semitendinoso, semimembranoso

Rama que irriga el cuádriceps femoral

Iliaca circunfleja profunda

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

Irriga pared abdominal

Iliaca interna

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

Glútea craneal

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

Glútea caudal

Type in the name of your character.

Irriga bíceps femoral, semitendinoso, semimembranoso, ano, recto, región del periné

Caudal lateral

Choose the type of your chacter:

Irriga glúteos, bíceps femoral, semitendinoso, semimembranoso

Iliolumbar

Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.

Irriga iliopsoas, glúteos

Pudenda interna

The weather is an important element in your story because it can highly influence the ambiance and the mood of the characters.

Rama para el recto, ano, vulva, ano

The most affected character is the main character. Write down here if he/she is affected by these weather conditions in any way. For example, if they lost a family member or their home during a hurricane, etc.

Rama prostática o vaginal

Decide if you want to include an element of nature in your story. For example, a rainbow can be a very nice choice for a happy ending. The mist in a story can represent mystery and secrets. A thunder can appear in the background at the moment when the 'bad guy' of the story makes its appearance, etc.

Irriga próstata , vagina, glándulas accesorias

Sacra media

The setting (time & place) of a story can change throughout the plot.

Ramas coccígeas

The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.

Irriga cola