av ESTEFANIA LEGUIZAMON för 3 årar sedan
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To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
pudenda interna
V. glútea craneal
V. caudal lateral
V. glutea caudal
viene de inervar: perine, semiitendinoso y semimembranoso
V. coxigeas
tronco pudendo epigastrico
femoral circunfleja media
vena femoral profunda
vena femorsal
V. genicular descendente
V.proximal
V.media
V. distal
v. posterior
v. poplitea
V. tibial caudal
viene desde
venas digitales dorsales propias de cada dedo
V. safena medial
V. tibial craneal
v. safena lateral
vena perforante proximal
arco venoso plantar proximal
V. metatarsianas plantares 2,3 y 4
arco plantar venoso distal
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
Pudenda externa
This is the closure section of the story.
See examples of possible outcomes below:
Irriga escroto o glándula mamaria
Epigástrica caudal
Irriga piso de la pared abdominal
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
Irriga gracilis, peptinio, sartorio, semimembranoso
Rama obturadora
Irriga músculos obturadores
Your character(s) need(s) motivation in order to solve the challenge(s).
Digitales plantares comunes 2,3 y 4
Type in any other challenges which other characters in the story need to face.
Plantar medial
Arco plantar profundo proximal
Arco plantar superficial
Metatarsianas plantares 2,3 y 4
Plantar lateral
Rama craneal
Digital dorsal propia abaxil 5
Digitales comunes dorsales 2,3 y 4
Digitales dorsales propias
Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.
Tibial craneal
Rama superficial
Rama profunda
Irriga tarso y dedos
Pedal dorsal
Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:
Perforante proximal
Arqueada
Metatarsianas dorsales 2, 3 y 4
Irriga extensores
Tibial caudal
Rama ascendente
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
Irriga bíceps femoral, semimembranoso, semitendinoso
Rama descendente
Does your story include catastrophic weather? See a few suggestions below or add your own:
- hurricane, earthquake, storm, etc
Irriga flexores
Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?
Irriga gracilis, sartorio, semimembranoso, semitendinoso
Irriga rodilla
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
Irriga músculos caudales del muslo
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
Rama caudal
Irriga bíceps femoral, semitendinoso, semimembranoso
Rama que irriga el cuádriceps femoral
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.
Type in the name of your character.
Irriga bíceps femoral, semitendinoso, semimembranoso, ano, recto, región del periné
Caudal lateral
Choose the type of your chacter:
Irriga glúteos, bíceps femoral, semitendinoso, semimembranoso
Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.
The weather is an important element in your story because it can highly influence the ambiance and the mood of the characters.
The most affected character is the main character. Write down here if he/she is affected by these weather conditions in any way. For example, if they lost a family member or their home during a hurricane, etc.
Decide if you want to include an element of nature in your story. For example, a rainbow can be a very nice choice for a happy ending. The mist in a story can represent mystery and secrets. A thunder can appear in the background at the moment when the 'bad guy' of the story makes its appearance, etc.
Irriga próstata , vagina, glándulas accesorias
The setting (time & place) of a story can change throughout the plot.
The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.
Irriga cola
