Kategorier: Alle - pigments - spectroscopy - fluorescence - absorption

af Ragy Selim 13 år siden

363

As light meets matter, art under scrutiny

The text discusses the intersection of science and art in the context of verifying the authenticity of paintings. Using various techniques such as spectroscopy and fluorescence, scientists can analyze the materials and methods used in artworks.

As light meets matter, art under scrutiny

By Mostafa Abu El Fadl and Ragy Selim

As light meets matter, art under scrutiny

The Electromagnetic Spectrum

Gamma rays
X-rays

Determines molecules based on the excitation levels

Can see through larger layers
Ultraviolet
Cannot see above 50 microns

Wavelength is too big for further penetration

UV Spectroscopy

Fluoroscence

Analyzes fluorescence of a sample

Reveals age of material based on absorption rate

Can reveal otherwise invisible details
Infrared
Closest to visible light
IR Spectroscopy

Suitable wavelength for further probing

Detects anomalies beneath paint by identifiing chemicals

Microwaves
Radio Waves
Visible Light
Reveals Colors

Evidence Against Authenticity

Animal Binder = late 19th Century
Underdrawing (not characteristic of artist)
Cadmium Yellow Lithopone pigment presence
Polyene UV absorbance of 0.6

Reaching a Conclusion

Scientific method supplements historian method
sometimes even after science results are inconclusive

Not dissimilar to helio/geo centric case

leap in technology can change facts and bring conclusion

Art Verification by scientist
Scientists falsify one another's conclusions

constant state of progress

unlike historian, considers multiple possibilities to explain results
can misinterpret results due to lack of historical context
Combines scientific method and high technology
Art Verification by artist
Appears to be prematurely conclusive
has expertise in field
needs extensive scientific analysis
Uses historic context to determine reliability

Spectroscopy

Absorption
excites molecules to higher energy states
Fluorescence
reflects light off molecules
Detects elements in samples
reveals underdrawings
reveals choice of pigments
reveals dates

Evidence for Authenticity

Emission spectra similar to authentic paintings
Absence of elements not available at the period
Composition of the painting matches that of pigments used during that period.
indistinguishable from other paintings of his
characteristic of his constructivist phase
many of the same visual elements
very similar to a Cézanne at Barnes Foundation