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To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
This is the closure section of the story.
See examples of possible outcomes below:
Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?
Mantener experiencia
Construir
Conocer
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
red circular cerrada de cambios de relaciones de actividad neural
Uno es el camino explicativo de la objetividad sin paréntesis.
Subtopic
Todo acto de conocer trae un mundo a la mano
experiencia del observar
Determinismo estructural
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
Warren MC culloch
epistemología experimental
comunicación dentro de la observación entre el observador y el medio
Walter canon
concepto de homeostasis
Heron
organismo es igual a sistema
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
Your character(s) need(s) motivation in order to solve the challenge(s).
Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.
Cibernética 2 orden- reflexión sobre la reflexion
Cibernética 1 orden- reflexión
(Norbert Wiener 1948)
Cibernética 0 orden- implícita
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
ciencia de la pauta y organización
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
Type in any other challenges which other characters in the story need to face.
Francisco Varela
Humberto Maturana
Heinz Von Foerster
Warren MC. Culloch
ludwing wittgenstein
objetividad fundamental en la ciencia
determina lo que vemos
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
Morfogénesis
variabilidad del sistema
Morfostasis
mantenimiento de la constancia
mecanismos de retroalimentación negativa
conocimiento inseparable de la acción
Si decides ver aprende a actuar
Jean Piaget
Gregory Bateson
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
para elaborar la teoría de la comunicación propone considerar a la familia como sistema homeostático
Pragmática de la comunicación humana sus autores son Paul watzalawick,Don Jakson y janet beavin
se refieren a la comunicación como comportamientos o conductas que afectan a las personas en su interacción.
solipsismo
Feedback
Procesos de diferenciación en las normas del comportamiento individual
dentro de los grupos sociales podría existir un orden interno auto-equilibrador.
como elemento fundamental de toda comunicación y significación.
relaciones
formas
configuracion
The setting (time & place) of a story can change throughout the plot.
Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:
organización
determinado
independiente
The weather is an important element in your story because it can highly influence the ambiance and the mood of the characters.
el concepto de homeostasis entre entradas y salidas lo que permite cambios continuos.
The most affected character is the main character. Write down here if he/she is affected by these weather conditions in any way. For example, if they lost a family member or their home during a hurricane, etc.
complejos de elementos de interacción
Does your story include catastrophic weather? See a few suggestions below or add your own:
- hurricane, earthquake, storm, etc
establece distinción entre sistemas abiertos y cerrados
The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.
palabra
Acción
concepto
Idea
Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.
el isomorfismo entre modelos permite aplicar las mismas características
Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.
Type in the name of your character.
GREGORY BATESON
Add other qualities/attributes of the character.
LUDWING VON BERTALANFFY
Choose the type of your chacter:
