Luokat: Kaikki - emotion - music - semiotics - perception

jonka umwe bejo 9 vuotta sitten

1101

Boom Crash

The concept explores the intriguing intersection of sound and emotion, particularly in relation to environmental and auditory stimuli. It delves into the idea of sonification, which is the use of non-speech audio to convey information or perceptualize data.

Boom Crash

Fear Greed Boom Crash

Fear Greed : Boom Crash

Sonification Meshodology

affect : schema : perception


Stephen Barrass

University of Canberra


What if we could hear emotions coming from the offices above mixed in with the traffic on the street ?

Practice

Air-flow
VirtualGeiger-counter
River and Rain
Land Cover

Meshod

Perception
Stream-based
Dissonance
Interpretation
Schema

Dirt and Gold

Semiotics

Symbolic

Iconic

Indexical

mayan Acoustics

Semiotics

Index = Chichen Itza

Iconic = Quetzal Bird

Symbolic = The King

Music
Markets
Chart Music

Process

Data
Metaphor
Emotion
Evaluation

Sonification

Listening Mind Listening
Sonification Design
Sonification Science

ICAD 1992

Parameter mapping

Sarah Bly - Irises

Greg Kramer - the body electric

Audification

Chris Hayward - the earth sing

Ecological

Bill Gaver - auditory icons

Semantic

Elizabeth Blattner - earcons

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Since then

Perceptual

Stephen Barrass - PSS

Ecological

Thomas Hermann - model-based

Sonification Art

Music/Sound Art

Representation

Plat du Jour - Matthew Herbert

This record aims to tell some of the hidden stories behind the overly-elaborate and wasteful packets. It looks at what's on the menu and asks you to makes decisions based on criteria other than taste. The album will include tracks made from a grain of sugar, 30,000 chickens, a salmon farm, the sewers below London and water.

Musique Concrete

Musique concrète (French for "concrete music" or "real music"), is a form of electroacoustic music that utilises acousmatic sound as a compositional resource. The compositional material is not restricted to the inclusion of sonorities derived from musical instruments or voices, nor to elements traditionally thought of as 'musical' (melody, harmony, rhythm, metre and so on).

The aim is to use these sounds in an abstract musical way, by dererencing the sources so that the listener lears just the sounds.

Form follows Function

Form follows function is a principle associated with modern architecture and industrial design in the 20th century. The principle is that the shape of a building or object should be primarily based upon its intended function or purpose.

Art of Noises

Russolo

The Art of Noises

We Futurists have deeply loved and enjoyed the harmonies of the great masters. For many years Beethoven and Wagner shook our nerves and hearts. Now we are satiated and we find far more enjoyment in the combination of the noises of trams, backfiring motors, carriages and bawling crowds than in rehearsing, for example, the "Eroica" or the "Pastoral".

Program Music

Program music is a type of art music intended to evoke extra-musical ideas, images in the mind of the listener by musically representing a scene, image or mood.

Pastoral - More a Feeling than a Sound-Painting.

In Beethoven's music sketchbook : "Murmur of the brook. The more the water, the deeper the note." This would later become two solo cellos playing in 12/8 time at the start of the slow movement.

Abstract Music

Music is often referred to as the most abstract of the arts.

“Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound.” — Eduard Hanslick