Medula

Più simili a questo

Organograma

da Beatriz Carniato

LEVANTAMENTO DAS DORES

da JOAO TEC

Tecido conjutivo

da JOAO DE CARVALHO COSTA

PANOFSKY

da Cláudio Brandão

Medula

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

Surcos

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

Surco lateral posterior

Fibras aferentes

raiz dorsal do nervo raquídeo

Surco lateral anterior

fibras eferentes

raiz ventral do nervo raquídeo

Fissura mediana anterior

This is the closure section of the story.
See examples of possible outcomes below:

• all problems have been solved
• it's clear how each one of your characters ends up
• your main character is transformed by the challenge

Fissura mediana posterior

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:

• realization
• resolution
• choice

Type in your answer.

Envoltório

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

Coluna

There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.

Proteção mecânica

A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.

See a few examples below:

• stopping a meteor
• finding a killer
• finding love

Espaços

Epidural

Plexos venosos perivertebrais

Subdural

Sabaracnoideo

Meninges

Your character(s) need(s) motivation in order to solve the challenge(s).

Piamadre

Ligamentos denticulados

Filamento terminal

Aracnoides

Secondary characters also might have motivs beacuse of which they may cross path with main character or which might trigger them to help the main character.

Leptomeninge

Duramadre

Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.

Paquimeninge

Estrutura

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

Subtópico

Cinzenta

Corpos celulares

Branca

Axonios

Dilatação

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

Intumecência

Type in the name of your character.

Lombosacra

What is your character's main goal?

T9-L1

Cervical

Choose the type of your chacter:

C3-T2

plexo cervical e plexo braquial