da Jeffrey Wardlaw mancano 11 anni
1899
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Composer?
Western Style Periods
Romatic
Baroque
Renaissance
Medieval
Style/Genre
Genre Differences
Country/bluegrass
Pop/Rock
Western v. Non-western
Instrumental v. Vocal
Process/Procedure as Form
Contemporary
Serialism
Minimalism
Countrapuntal Procedures
Fugue
Invention
Song Forms
DaCapo Aria
Through Composed
Modified Strophic
Strophic
Multi-Movement
Suite
Symphony
Large Forms
Symphonic Poem (Thorugh Composed)
Concerto
Compound Forms
Minuet-Trio
Theme & Variations
Sonata-Rondo
Rondo
Sonata
Small Forms
Types
Rounded Binary
Ternary
Binary
Characteristics
Period Structures
Period v. Double Period
Parallel v Contrasting
Phrase
Phrase Segment
Motive
Changes in Basic Elements of Music
"Thick" v. "Thin"
Polyphonic
Homophonic
Monophonic
Chromaticism
Chromatic harmonies
Voicing/Voice Leading
Open v. Closed Structures
phrase in relation to cadence
consequent phrase
ends on tonic
antecedent phrase
doesnt end on tonic
Plagal and deceptive avoid or follow a phrase ending cadence.
generally end on the authentiv or half cadence
are sections that an instrumetalist or singer can play or sing on one breath.
Cadence
four main types of cadence (divides according to harmonic progression)
deceptive cadence
half cadence
considered weak cadence
ends on V
plagal cadence
authentic cadence (V or a V7 to I)
Imperfect authentic cadence (IAC)
Evadence Cadence
because the seventh must fall stepwise it forces the cadence to resolve to a less stable first inversion chord
to achieve : the root position V must change to a V42 before resolution therby evading the cadence.
creates extention (V42 to I6)
Leading Tone IAC
the V chord is replaced with a viiio/sub V chord and still ends on I
Inverted IAC
one or both chords must be inverted
root position IAC
like PAC but the high voice (Soprano) does not contain root
Perfect authentic cadence (PAC)
creates complete melodic and harmonic closure
strongest type of cadence
most direct way to establish the pitch as tonic
harmonic cadence
rhythmic cadence
must have a sence of closure at the end of a phrase
Modulation/Tonicization
Dynamic Level
Complexity
NCTs
Range/Tessitura
Contour
Ritardando
Sudden Change
Hyper rhythm
Accelerando
3/4 to 6/8
Change of Accented Beats
Motives/Patterns
Repitition / Contrast
Tension and Release
Contrast and Repetition
Metric modulation
Hemiola
Assymentrical tme signatures
Beat
Variable/Changing
Stravinsky Firebird, Finale
Unclear
Wild Nights! - Frank Ticheli
Vesuvlus - Frank Ticheli
Beat present but not celarly defined by a timbre OR beat can be perceied differently OR no clear beat at all
Changes of elements within a composition
Time Signature
Meter
The Measure
Durations (Beat tree)
Durations
Silence
Sound
Simple v. Complex
Syncopation
Tempo
slow tempo
"I Dreamed a Dream" -Les Miserables
"Sunrise Sunset" -Fiddler on the Roof
Schubert - Serenade
Bach - Brandenburg Concerto No. 2 - Mvt. 2
"amazing grace"
Ellington "Tqake the A Train" - Oscar Petereson Trio
Thelonius Monk - Round About Midnight
Miles Davis - The Man I Love
Ella Fitzgerald - Misty
Chet Baker - My Funny Valentine
The Longer the Waiting (The Sweeter the Kiss) - Josh Turner
"Wish You Were Here"-Pink Floyd
24-switchfoot
Broken - Lifehouse
fast tempo
"What You Own" -RENT
"you can't stop the beat" hairspray
Rimsky-Korsakov - Flight of the Bumblebee
Mozart - Overture "Marriage of Figaro"
"chicken dance"
micke y mouse march
Ellington Caravan - Oscar Petereson Trio
Branford Marsalis Trio - Cherokee
"Wanna Talk About Me"- Toby Keith
"wipeout" toy dolls
"contagious" avril lavigne
tempo changes
EXAMPLES
"I'll Cover You (Reprise)" -RENT
Bach - Toccata & Fugue in d
Chopin - Nocturne in Db
Night in Tunisia - Dizzy Gilespie and Arturo Sandoval
Jazz Festival Drum Solo
Live and Let Die
Bohemian Rhapsody
Speed defined
Gradations between fast and slow
Beats per minute = measurement
Tempo = relative speed to perceived beat
How Beats Divide
3 parts (compound)
"Edelweiss" Sound of Music
Sunrise Sunset- Fiddler on the Roof
"I'll Cover You" -RENT
Saint-Saens - Danse Macabre
"chim chim Cheree" -Dick Van Dyke
Alvin and the Chipmunks - "The Christmas Song"
Crazy - Patsy Cline
Every Day - Rascal Flatts
"Summertime" - Miles Davis
"Sugaree" -Grateful Dead
"I;m with you" avril lavigne
"Breakaway" - Kelly Clarkson
"I want you"- Janet Jackson
2 parts (simple)
Subtopic
"anything goes"
Palestrina - Sicut Cervus
Mozart - Ave Verum Corpus
"I Love You" -Barney
"ABC" song
Hicktown
"Satin Doll - Duke Ellington
"if everyone cared" Nickleback
"Like a Rolling Stone"- Bob Dylan
"Raise Your Glass" P!nk
"Party in the USA" Miley Cyrus
How Beats Group
Groups of 3
Examples
"Sunrise Sunset" -Fiddler On The Roof
"prima Donna" Phantom of the Opera
"My Favorite Things" -Sound of Music
Faure - In Paradisum
Gluck - Dance of the Blessed Spirits
Strauss Blue Danube Waltz
"Amazing Grace"
"once upon a dream"
"star Spangled Banner"
"Silent Night"
I'm Movin' On - Rascal Flatts
Alcohol - Brad Paisley
Stay With Me (Brass Bed) - Josh Gracin
"Missouri Waltz" -Johnny Cash
"mooon river"
"love" ray charles
"America" - Simon and Garfunkel
"Hayley Westenra" - Dark Waltz
Lacrymosa evanescence
"piano man" -Billy Joel
Groups of 2 or 4
"Tradition" -Fiddler On The Roof
"Seasons of Love" -RENT
Marcello - Psalm XIX
Haydn - The Heavens Are Telling
Corelli Concerto Grosso in D, mvmt 3
Estampie
Verdi Requiem "Dies Irae"
Children's/Folk
"Elmo's Song" -Sesame Street
Hicktown - Jason Aldean
Why Don't We Just Dance - Josh Turner
"Baby's in Black" - The Beatles
"Misery" - Maroon5
Only girl in the world- rihanna
What defines beat grouping in practice?
Repetition
Lyrics
Melodic/Rhythmic Patterns
Accent
Types of Accents
Timbre(?)
Proximity
Aggoic
Pitch
Repetition of accent pattern defines beat grouping
Pulse/Beat
not clear
"YYZ"- Rush
Clear
Examples
Musical Theatre
"Once and For All" -Newsies
"fame"
Traditional/Folk
Jazz
Night in Tunisia - Dizzy Gillespie
Benny Goodman - Sing Sing Sing
Classical
Vesuvius - Frank tichelli
Sousa "Stars and Stripes Forever"
Terry Riley "In C"
Country
Rock
Pop
"Raise Your Glass" -Glee Cast
Don't Stop the Music -Rihanna
Send Me On MyWay - Rusted Root
Jump On It - Sir Mix-A-Lot
Lucky -Glee Cast
DotA - BassHunter
Clear beats are most clearly identified by a listener through consitent, regular pulses in a specific timbre(s)
How is pulse perceived when a consistent pulse in a specific timbre is NOT present? Is beat perceived?
No? Then does an absence of a consistent, regular pulse mean that no beat is present? Always?
If yes, then what allows the listener to perceive beat?
High School
Middle School
Elementary
Create
Compare
Apply
Principally visual/notation based
Examples from scores
Aural examples to support
Could re-use aural examples from fundamental level
Use music terminology to describe aural experiences
Principally Aural Based
Examples of varied historical period and genre
Many different examples
Everyone should start with the Fundamental level, regardless of background