by yefersson criollo 4 years ago
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To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
laboratorio 1879 psicología
percepción
experiencia previa sensación
imagenes separadas
metodo cientifico - comportamiento
cognición
Racionalista
Idealismo
Kant
realidad es mental
la razón pura
ilustración escritos
sujeto cognoscente
Empirismo
francis bacon
experiencia interna o externa
sensación
rene descartes
experiencia
ideas, intuición intelectual
lógica y razón
filosofo matemático
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
dante alighieri, francesco petrarca y giovanni boccaccio
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
libertad de las personas
absolutismo en el poder político
fe y razón
There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.
A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.
See a few examples below:
vis: fuerza, posse: potencia
potencia del alma
estimativa, intelectiva, vegetativa, sensitiva y memoria.
conocimiento de sentidos interiores y exteriores
Naturalismo, Escolástica
estructura primordial de seres
mineral, vegetal, animal y pensamiento
Your character(s) need(s) motivation in order to solve the challenge(s).
Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:
diferencia grados, funciones del alma
psicología del pecado original, confesiones
teología y filosofía
estudio del alma y acceso a Dios
memoria + inteligencia + voluntad= alma
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
dogmatismo religioso
pensamiento mágico
avances científicos por los árabes
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
The setting (time & place) of a story can change throughout the plot.
mente y alma silogismo
percepción y mente,
estimulo y respuesta EMPRICA (OBSERVACIÓN)
MATERIALISTA teoria 3 psiquis
pensamiento idealista
cuerpo se une con los sentidos, cuerpo es la carcel del alma
alma inmortal mora la razón
428-7 - 348
filosofo griego
ser humano en dos partes
sueños y motivación, inconsiente
Dualista
carácter analitico
poder de la palabra
contemplativo filosofía
la verdad en el cuestionario y el diálogo
Mayeutica
470 - 399 A.C
padre de la filosofía
mente y alma
protágoras
relativismo de la percepción
Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:
4 líquidos u humores
diferente cantidades depende del individuo.
sangre, mieles negras, mieles amarillas, flemas.
460 - 370 A.C.
Medico, griego
origen de las enfermedades
hopócrates y alcmeon
el cerebo es el centro de la logica
percepción y cognición
The weather is an important element in your story because it can highly influence the ambiance and the mood of the characters.
4 Elementos, 4 humores / 4 órganos / 4 temperamentos, corpus al cosmos
The most affected character is the main character. Write down here if he/she is affected by these weather conditions in any way. For example, if they lost a family member or their home during a hurricane, etc.
Planteamiento racional
Decide if you want to include an element of nature in your story. For example, a rainbow can be a very nice choice for a happy ending. The mist in a story can represent mystery and secrets. A thunder can appear in the background at the moment when the 'bad guy' of the story makes its appearance, etc.
Teoría de los Hipocrática de los humores
495 - 435 A.C.
Does your story include catastrophic weather? See a few suggestions below or add your own:
- hurricane, earthquake, storm, etc
Convierte a la medicina en una disciplina
Dualidad y fuego
cambio constante de todo elemento y fenómeno
parmenides, pitágoras y zenón
razonamiento y lógica
verdad absoluta
a verdad a travéz del Ser.
Fundador de la escuela eleática
530 - 515 A.C
atomistas
elementos fundamentales, los atomos y el vacio
The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.
FUEGO
AIRE
Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.
naturalista, agua
pienso, luego existo
620-546 A.C
la verdad por medio de la razón
