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Kategorier: Alle - audience - subject - writer

av Lijuan Huang 5 år siden

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approches to argument

Different approaches to argumentation are explored, each highlighting unique methods and strategies. Aristotelian rhetoric relies on the balance of logic, emotional appeal, and the credibility of the writer, employing both inductive and deductive reasoning.

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Charlotte Bronte

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subject and object questions

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Chapter reference: Rottenberg, Annette T. and Winchell, Donna Haisty. "Chapter 1: Approches to Argument." Elements of Argument: A Text And Reader. Boston, MA: Bedford/St. Martin's, 2015. 3-33. Print

SUMMARY OF ELEMENTS OF ARGUMENT, CHAPTER 1, Approaches to Argument

Subtopic

COMUNICATION TRIANGLE

AUDIENCE

WRITER

SUBJECT

Approches to Argument

The Toulmin Model

The Toulmin Model connects three parts of the communication triangle--subject, writer, and audience, to make an argument by creating a movement from support to claim by way of warrant, which acts as a bridge (page 28).

Rogerian Argument

Emphasis on understanding of the other's situation and locating a common ground between the writer and the audience, and the result of an argument is usually compromised (page 18).

Aristotelian Rhetoric

Aristotle's syllogism uses logic (Logos), appeal of emotion (Pathos), and writer's credibility (Ethos) to make two ways of proof--Inductive reasoning and deductive reasoning (Page 10).

approches to argument

Different approaches to argumentation are explored, each highlighting unique methods and strategies. Aristotelian rhetoric relies on the balance of logic, emotional appeal, and the credibility of the writer, employing both inductive and deductive reasoning.

Charlotte Bronte

subject and object questions

Sample Mind Map

hhh

Chapter reference: Rottenberg, Annette T. and Winchell, Donna Haisty. "Chapter 1: Approches to Argument." Elements of Argument: A Text And Reader. Boston, MA: Bedford/St. Martin's, 2015. 3-33. Print

SUMMARY OF ELEMENTS OF ARGUMENT, CHAPTER 1, Approaches to Argument

Subtopic

COMUNICATION TRIANGLE

AUDIENCE

WRITER

SUBJECT

Approches to Argument

The Toulmin Model

The Toulmin Model connects three parts of the communication triangle--subject, writer, and audience, to make an argument by creating a movement from support to claim by way of warrant, which acts as a bridge (page 28).

Rogerian Argument

Emphasis on understanding of the other's situation and locating a common ground between the writer and the audience, and the result of an argument is usually compromised (page 18).

Aristotelian Rhetoric

Aristotle's syllogism uses logic (Logos), appeal of emotion (Pathos), and writer's credibility (Ethos) to make two ways of proof--Inductive reasoning and deductive reasoning (Page 10).

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approches to argument

Different approaches to argumentation are explored, each highlighting unique methods and strategies. Aristotelian rhetoric relies on the balance of logic, emotional appeal, and the credibility of the writer, employing both inductive and deductive reasoning.

Charlotte Bronte

subject and object questions

Sample Mind Map

hhh

Chapter reference: Rottenberg, Annette T. and Winchell, Donna Haisty. "Chapter 1: Approches to Argument." Elements of Argument: A Text And Reader. Boston, MA: Bedford/St. Martin's, 2015. 3-33. Print

SUMMARY OF ELEMENTS OF ARGUMENT, CHAPTER 1, Approaches to Argument

Subtopic

COMUNICATION TRIANGLE

AUDIENCE

WRITER

SUBJECT

Approches to Argument

The Toulmin Model

The Toulmin Model connects three parts of the communication triangle--subject, writer, and audience, to make an argument by creating a movement from support to claim by way of warrant, which acts as a bridge (page 28).

Rogerian Argument

Emphasis on understanding of the other's situation and locating a common ground between the writer and the audience, and the result of an argument is usually compromised (page 18).

Aristotelian Rhetoric

Aristotle's syllogism uses logic (Logos), appeal of emotion (Pathos), and writer's credibility (Ethos) to make two ways of proof--Inductive reasoning and deductive reasoning (Page 10).

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