Categorias: Todos - estado - riqueza - economía - mercado

por jordan ponce 3 anos atrás

323

PRINCIPIOS GENERALES DEL RÉGIMEN ECONÓMICO DE LA CONSTITUCIÓN POLÍTICA DEL PERÚ

El régimen económico de la Constitución Política del Perú se fundamenta en varios principios y doctrinas que reflejan diferentes enfoques sobre la organización económica. La Escuela de Chicago promueve una intervención mínima del Estado, confiando en el libre mercado y la competencia para lograr la eficiencia económica.

PRINCIPIOS GENERALES DEL RÉGIMEN ECONÓMICO DE LA CONSTITUCIÓN POLÍTICA DEL PERÚ

PRINCIPIOS GENERALES DEL RÉGIMEN ECONÓMICO DE LA CONSTITUCIÓN POLÍTICA DEL PERÚ

PRINCIPIOS GENERALES

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

DEFENSA DE LOS CONSUMIDORES Y USUARIOS
el Estado vela por la salud y la seguridad de las personas
el Estado garantiza el derecho de información sobre bienes y servicios
IGUALDAD JURÍDICA DE LA INVERSIÓN
genera empleo
supone un incremento del capital productivo del país
CONTRATO-LEY
constituye una forma de dar estabilidad a los inversionistas
acuerdos de del Estado inversionistas privados o nacionales o extranjeros
LIBRE COMERCIO EXTERIOR
el comercio y la finanzas como una relación con el mundo
ningún país puede mantener una economía cerada
LIBERTAD DE CONTRATAR
cualquiera puede contratar con fines lícitos
PLURALISMO ECONÓMICO
es la base para las formas de organización económica del Estado
pueden coexistir varios tipos de varios tipos de empresa simultáneamente
IGUAL TRATAMIENTO LEGAL A LA ACTIVIDAD EMPRESARIAL PÚBLICA O NO PÚBLICA
la constitución no es estática sino dinámica
promoción de la igualdad
no hay privilegios para la actividad empresarial privada ni pública
LIBRE COMPETENCIA
precios libres, ganancias libres
a mayor competencia, mayor bienestar
libre concurrencia de la oferta y la demanda
ACTUACIÓN SUBSIDIARIA DEL ESTADO EN LA ECONOMÍA
apoyo del Estado en actividades privadas o comunitarias
entendida como una función supervisora y correctiva o reguladora del mercado
LIBRE TENENCIA Y DISPOSICIÓN DE MONEDA EXTRANJERA
esto no afecta la seguridad nacional
libertad de comprar y vender moneda extranjera dentro del país
ESTADO PROMUEVE LAS PEQUEÑAS EMPRESAS
el Estado brinda ayuda a sectores empresariales que sufran desigualdad
LIBERTAD DE TRABAJO Y LIBERTAR DE EMPRESA, COMERCIO E INDUSTRIA

This is the closure section of the story.
See examples of possible outcomes below:

garantiza una sociedad libre
derecho fundamental de la persona jurídica o natural de participar en la actividad económica

Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?

INICIATIVA PRIVADA LIBRE

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:


Type in your answer.

tiene como límite no colisionar con los intereses generales
derecho fundamental de toda persona natural o jurídica

PRINCIPALES DOCTRINAS EN MATERIA ECONÓMICA

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

ESCUELA CLÁSICA

There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.

Adam Smith

la libre competencia

el mercado se autorregula

la leyes del mercado hacen funcionar la economía

Karl Marx

A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.

See a few examples below:

estudiar los errores del capitalismo

el capitalismo genera crisis

ESCUELA DE CHICAGO
El mercado competitivo, una mejor forma de organización de la actividad económica
Intervención mínima del Estado
El libre mercado y la competencia harán que la economía sea más eficiente
FISIOCRACIA

Your character(s) need(s) motivation in order to solve the challenge(s).

oposición a los controles gubernamentales

Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.

el origen de la riqueza está en la agricultura

Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:

ESCUELA AUSTRIACA
John Maynard Keynes

La economía de mercado no se autorregula den forma suave

El pesimismo empresarial induce a una caída en la inversión

Las economías están sujetas a grandes fluctuaciones

MERCANTILISMO

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

proteccionismo: intervención del Estado
acumulación de oro y piedras preciosas

Type in any other challenges which other characters in the story need to face.

la fuente de riqueza estaba en el comercio exterior

In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:

ANTECEDENTES: evolución de los sistemas políticos

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

SOCIALISMO

The setting (time & place) of a story can change throughout the plot.

el control de cambios y la inexistencia de libertad económica

The weather is an important element in your story because it can highly influence the ambiance and the mood of the characters.

planificación centralizada de toda actividad económica

The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.

defienden la abolición de la propiedad privada

Your story can take place wherever your imagination will take you to.
For example: in an elevator, in an enchanted forest, etc. Don't forget to give details of the environment each time the setting changes, otherwise, the story can be confusing. Also, mention the seasons as each of them has unique weather and events.

LIBERALISMO

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

a favor de la propiedad privada

Type in the name of your character.

el Estado no debe entorpecer el libre curso de las leyes

What is your character's main goal?

fight Evilfind lovedefeat his/her enemyrule the worldmake friendstime travelmake an awesome discoveryOther

el Estado no debe intervenir en asuntos económicos

Which traits best describe the character's personality? Choose more if necessary:

introvertedloyalkindindependentquick-thinkingadventuresomeidealisticsweet-naturedcalmrisk-takercreativewittystrictfussyweirdclumsyharshaggressivecarelessclingingcowardlycrueldeceitfulimpulsiveOther

dejar hacer, dejar pasar que el mundo se va a acabar

Choose the type of your chacter:

Protagonist (main character)Antagonist (main character's opponent)Flat (stereotypical character)Round (his/ her personality develops throughout the story)Static (doesn't evolve as a person throughout the story)Dynamic (dramatical change in personality)Confidant (the main character trusts him/ her)Foil (contrasting character who enhances the personality of another character)Other