PLANOS Y EJES DEL CUERPO HUMANO

Honelako gehiago

LIBRO CAJA Y BANCOS

by ESTEFANY HATOYRY FIGUEROA CAJAHUANCA

BREAK DANCE

by Inés Hernández Llanos

Engranajes

by santiago espitia

CINTURA PÉLVICA Y LOS MICROMOVIMIENTOS Y MACROMOVIMIENTOS

by Wilson Chaparro Pacco

PLANOS Y EJES DEL CUERPO HUMANO

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

Ejes

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.

Se encuentra dirigido de lado a lado y tiene como perpendicular el plano sagital

Vertical

Your character(s) need(s) motivation in order to solve the challenge(s).

Se dirige de arriba hacia abajo y es perpendicular al plano horizontal

Secondary characters also might have motivs beacuse of which they may cross path with main character or which might trigger them to help the main character.

Antero Posterior

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

Tiene una dirección de atrás hacía delante por lo que se encuentra perpendicular al plano frontal

Planos

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

Transversal

Se pueden realizar movimientos desde una perspectiva de arriba o abajo

Divide a nuestro cuerpo en la parte de mitad superior e inferior

Frontal

The setting (time & place) of a story can change throughout the plot.

Podemos encontrar los movimientos desde una perspectiva de cara o de espaldas

Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:

• the smell of fresh bread
• the scent of freshly cut grass
• rain falling onto the windshield etc.

Divide a nuestro cuerpo en la parte de mitad antero posterior

The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.

Sagital

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

En este plano, se realizan los movimientos que podemos observar desde la perspectiva de perfil

Divide a nuestro cuerpo en la parte de mitad derecha e izquierda

Type in the name of your character.