Desarrollo motor, movimiento e interacciòn

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Desarrollo motor, movimiento e interacciòn

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

CAPACIDADES PERCEPTIVAS-COORDINATIVAS

The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.

CINESTECIA

CONCEPTO CORPORAL

IMAGEN CORPORAL

ESQUEMA CORPORAL

This is the closure section of the story.
See examples of possible outcomes below:

• all problems have been solved
• it's clear how each one of your characters ends up
• your main character is transformed by the challenge

ETAPAS DE ESTRUCTURACION

Try answering these questions to come up with a closure:
- Have all the problems been solved?
- Is there a clear picture of what happens with each character in the story?
- Has the challenge transformed your main character?
- How do the characters feel in the end?

DE LOS 6,7 A LOS 11 AÑOS

DE LOS 2 A LOS 4 AÑOS

DEL NACIMIENTO A LOS 2 AÑOS

CONCIENCIA CORPORAL

This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:

• realization
• resolution
• choice

Type in your answer.

BASES NEUROFISIOLOGICAS PARA EL DESARROLLO MOTOR

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

PATRONES

PERCEPCION

VISUAL

LA MEMORIA VISUAL

PATOLOGIAS

ASOCIATIVAS

APERCEPTIVAS

SEGUIMIENTO VISUAL

CUATRO TIPOS DE MOVIMIENTOS

DE SEGUIMIENTO

DE CONVERGENCIA

COMPENSATORIOS A LOS MOVIMIENTOS

RAPIDOS Y CORTOS

PERCEPCIÓN VISUAL

TACTIL

ESPINO-TALAMICA

SENSACIONES SEXUALES

SENSACIONES DE PRURITO

SENSACIONES DE TACTO NO DISCRIMINATIVAS

SENSACIONES TERMICAS

DOLOR

CORDONES POSTERIORES

SENSACIONES DE PRESIÓN

SENSACIONES SINESTESICAS

SENSACIONES EN LA PIEL

SENSACIONES FISICAS

SENSACIONES TACTILES

AUDITIVO

MEMORIA AUDITIVA

SEGUIMIENTO AUDITIVO

ONDA SONORA

ALTURA

TIMBRE

INTESNSIDAD

SENSORIALES